This isn’t a big fish story. Quite the opposite, actually. And it starts right here on Lake James, the massive hundred-year-old reservoir lapping the eastern edge of our state’s Blue Ridge Mountains.
It’s the pinnacle of summer. High on a red clay ridge, the whip-poor-will, whose incessant chanting often stretches well into the balmy morning, has gone silent. The red dog is weaving among windswept pines, and I am sitting on the wooden deck of a Coachmen RV, a sparkling sliver of lake visible a half-mile in the distance.
My grandparents used to live here. Not in this 32-foot travel trailer, home to my husband, the dog and me for a warm and watery season. But on down the meandering shoreline, in the brick and stucco home with the vaulted ceiling, lakeside gazebo and sweeping view of Shortoff Mountain.
Papaw kept his pontoon at a nearby marina. If I close my eyes, I can almost see two kids swinging their legs at the edge of his boat slip. I’m the little girl with the auburn curls and wild swath of freckles. My younger brother, all blue eyes and dimples, is perched beside me. Neither of us have fished before.
On this day, Papaw is cradling a box of live crickets, and Dad is showing us how to hook them. The black and silver schnauzer, whose feet and beard are permanently stained from the red earth, is barking at the wake as a neighboring boat glides up to dock.
Once we cover the basics (don’t snag your sibling or grandpa), we cast a few lines, jiggling the rod to make our crickets dance.
Papaw watches from the captain’s chair as Dad teaches us a ditty from his own childhood. The song changes based on who’s singing it. Mine goes like this:
Fishy, fishy in the lake, won’t you swim to Ashley’s bait?
I sing incessantly. And guess what? In no time, I feel the coveted tug of what must be a whopper at the end of my line.
I squeal. I reel. And up shimmies the smallest sunfish you’ve ever seen. A bluegill, I think. No bigger than my tiny, freckled hand.
“Can we keep it?” I ask, twitching with excitement.
“If he’s long enough,” says Papaw. Gripping my whopper in his leathery hands, he gently slides out the hook then slips the fish into a shallow bucket of water. “We’ll measure him later.”
My brother and I cast several more lines — first at the boat slip, then out in a quiet cove on the water. Although the song appears to have stopped working, that doesn’t deter us from our fervent chanting. We sing until the crickets are spent, my sunfish our singular catch of the day.
I know now that we had no business keeping that tiny sunfish. But it was never about the fish for Papaw.
Peering down into the bucket, my grandpa announces that the bluegill is “just big enough,” then gives me one of his signature winks. I wink back from my seat outside the camper, smiling through time at a proud little girl and her very first fish.
That night, while the rest of the family ate crappie from a previous haul, I savored every bite of my pan-fried sunfish. It didn’t look like much on the plate, but the memory has fed me for a lifetime.PS
Ashley Walshe is a former editor of O.Henry magazine and a longtime contributor to PineStraw.
If ever you’ve ridden a drop tower — one of those gut-in-your-throat “free fall” rides at the carnival — then you can imagine what it feels like to know and love a Cancer. But only those born under the influence of this cardinal water sign know what it’s like to be perpetually at the whim of such sensational pinnacles and descents. This month will be no different, especially with that full supermoon on July 13. May as well enjoy the ride.
Tea leaf “fortunes” for the rest of you:
Leo (July 23 – August 22)
Something needs watering. Hint: It’s not a plant.
Virgo (August 23 – September 22)
You can’t see the signs if your eyes are closed.
Libra (September 23 – October 22)
Let the tea steep.
Scorpio (October 23 – November 21)
You already know the answer.
Sagittarius (November 22 – December 21)
Keep moving. They’ll come around or they won’t.
Capricorn (December 22 – January 19)
You’re thinking the fun out of it.
Aquarius (January 20 – February 18)
The prize is never inside the box.
Pisces (February 19 – March 20)
Tell it to your dream journal.
Aries (March 21 – April 19)
Best to get it straight from the source.
Taurus (April 20 – May 20)
Leave your phone. Forget the umbrella. Let life happen.
Gemini (May 21 – June 20)
The invitation will be obvious.PS
Zora Stellanova has been divining with tea leaves since Game of Thrones’ Starbucks cup mishap of 2019. While she’s not exactly a medium, she’s far from average. She lives in the N.C. foothills with her Sphynx cat, Lyla.
I love rum. On its own; stirred in Ti’ Punch; shaken ice-cold in a daiquiri; in a box; with a fox.
I love rum. This probably comes as no surprise. Whenever I get a chance to splurge, I’ll order more than a few bottles online — usually brands that I already know. Over the past two years I’ve been on a Clairin kick. You remember Clairin, don’t you? It’s the sugar cane spirit from Haiti that’s high in proof and lovely on the palate. Well, I still have plenty of that left over from last year, so this go-round I decided to grab a few bottles I’m familiar with, and a few that I’m not. Here are two old favorites, and one that’s made just west of an island I grew up on.
Plantation 13 Year Jamaican Rum 2005
I’ve had the Plantation Distillery rums before and, as soon as my most recent order arrived, I grabbed a bottle and made a daiquiri. I thought I had picked their signature blend (which retails at $24.95). My daiquiri was so damn good, I immediately made another. I was floored by how tasty it was. Turns out I had dipped into the 13 year ($64.99) instead. Honest mistake: The packaging is kind of similar, but I should’ve spotted the difference. Not to worry, it was one of the best daiquiris I’ve ever had. It’s great on its own, too. Aged for 12 years in bourbon barrels in Jamaica, it’s then shipped to France to mature for another year in small cognac barrels. It’s dry on the front palate, but then hits you with fruit and a touch of funk on the back end. I noticed that the longer it sat in my glass, the easier it was to pick up notes of banana, vanilla and whatever else I can’t remember. It was delicious.
Cor Cor Okinawan Rum Red Label
I was shocked to see rum from Okinawa available online. I grew up there as a lad and have nothing but fond memories. This was also a staff pick from the website I frequent, so clearly it was a no-brainer to give it a shot. This rum is different. On the nose: dirty vodka martini. Swear to God. On my first sniff, I was like, “Whoa, that smells briny!” The sniffs that followed (I hope I never have to type that again) yielded, “Yeah, that’s a dirty martini.” Weird. On the palate it’s a little saline, light, slighty grassy. Okinawan grassy? I really don’t know. I think I need more time with this one. I’ll probably make a Ti’ Punch with it to see what a touch of sugar and acidity do to it.
El Dorado Special Reserve 21 Year Rum
This bottle was a splurge. It retails for around $100. I’ve had it a few times before and figured it was time to be a big boy and have my own bottle. Before I get into why this rum is so special, I’d like to touch on something I read from one of the website staff members who reviewed it. “While whiskey gets increasingly expensive and certain bottles become harder to find, rum’s vivid and decadent flavors are an easy jump to make for a bourbon or Scotch drinker.” Whiskey prices are ridiculous these days and, honestly, I find a lot of whiskies to be overrated relative to the cost. Maybe it’s because I live in North Carolina, but I sometimes find rum to be my little secret. I know so many people that love to chat “whiskey this, whiskey that,” but when I show them a good rum, their minds are blown. The few times I’ve enjoyed the El Dorado 21 year, it’s been as a nightcap after a lovely dinner. This is a long, slow sipper that’s meant to be enjoyed on its own. Caramel on the nose, with toffee and spices on the palate, and sweet smoke on the finish, this rum from Guyana is elegant. Consider this as a gift for a whiskey connoisseur, and you’re guaranteed to make them a rum fan.PS
Tony Cross is a bartender (well, ex-bartender) who runs cocktail catering company Reverie Cocktails in Southern Pines.
Contrary to popular belief, grilling is not just for meat lovers. Whether you grill a juicy burger or mushroom caps, the universal experience is much the same — hot glowing embers, sparks flitting about like fireflies, the bitter aroma of smoke wafting in your face, and the sheer joy of preparing a meal under the open skies. The symphony of sounds, smells and the visual excitement of grilling speaks right to our hearts as most of us recollect beautiful childhood memories of breezy, carefree summer days spent with friends and family.
To clear up one common misconception for my fellow expats and anybody from north of the Mason-Dixon line: Grilling and barbecuing are not the same in our neck of the woods, despite most of the English-speaking world using these terms interchangeably. Ask any native Southerner with a penchant for pork. Authentic Southern barbecue calls for low heat, a considerable amount of smoke, and plenty of patience, to name just a few ingredients, whereas grilling requires hot and dry heat, which will swiftly and effortlessly cook the food. So, this season, join us in celebrating traditional, mouth-watering, grilling fare with a bit of a Bohemian twist!
Strip Steak with Cherry Mint Chutney
Instead of preparing sophisticated and laborious marinades and brines, stick to the basics. Achieve bold and intensely rich flavor with a simple yet potent pre-rub: Brush steaks with olive oil; mix equal parts of ground cumin, paprika and coriander; and rub on the meat. Sprinkle generously with salt and freshly cracked pepper and grill for about 4–5 minutes per side. For an exotic twist, serve it with a cherry mint chutney — use your favorite, basic vinegar-based chutney recipe, replace the fruit with fresh, pitted cherries, and add fresh mint leaves to it.
Moroccan Grilled Shrimp with Harissa
Coated in ras el hanout, a unique spice blend abundant with aromas of cardamom, cinnamon, ginger and rose, these crustaceans are exceptionally zesty as shrimp effortlessly adapt flavor. With a little char from the grill, a dollop of smoky harissa and fragrant, crushed mint leaves, the Mediterranean doesn’t seem so far away anymore. Make your own harissa using a mixture of dried and fresh chilis combined with caraway and cumin seeds, fresh garlic, lemon juice and rosewater. Blend into a fine paste. Pair with an herby couscous salad and fresh mint tea, or push the boat out with a mojito — the choice is yours.
Greek Chicken with Toasted Almond Hummus
Undoubtedly, the thighs are among the most richly flavored parts of the chicken, next to the wings. With a respectable skin-to-meat ratio and a high fat content, chicken thighs carry and amplify any flavor or seasoning you might add. For a Mediterranean twist, combine yogurt, olive oil, lemon zest, fresh minced garlic, oregano, salt, pepper, and marinate for at least 30 minutes (or up to several hours) in the fridge. Cook chicken thighs, bone-in, for about 8–10 minutes on each side until cooked through. Serve with fresh, chopped veggies and toasted almond hummus — simply dry roast sliced almonds in a frying pan until fragrant and puree together with your hummus ingredients.
Balkan Burger with Ajvar and Blue Cheese
How to elevate the ubiquitous, humble, all-American sandwich into epicurean realms: Dress it up with artisanal cheese and Old World-style relishes and condiments. The latter, we’re borrowing from Balkan cuisine. Ajvar, also called “Balkan caviar,” is made from sweet peppers and eggplant slow-cooked for several hours. The result is a refined, opulent, richly flavored spread that can be teamed with many dishes but works especially well atop a juicy burger, together with a pungent, sharply flavored cheese.
Grilled Peach Crostini with Whipped Goat Cheese, Honey and Thyme
The quintessential North Carolina summer fare, as far as I am concerned, is grilled peaches, hands down. Peaches are seductive in their natural state but become even more enticing grilled. The fruit sugar caramelizes and flavors intensify, the char marks form and smoke imparts woodsy notes into the skin and flesh. Grill for 2-3 minutes on each side, serve atop silky smooth whipped goat cheese on grilled slices of bread, and drizzle with honey. To whip goat cheese, combine 2 parts goat cheese with 1 part cream cheese, a generous dash of olive oil, and pulse in a food processor. PS
German native Rose Shewey is a food stylist and food photographer. To see more of her work visit her website, suessholz.com.
Davidson artist Elizabeth Bradford celebrates the beauty of the wild
By Liza Roberts
Photograph By Lissa Gotwals
In a former cotton shed in Mecklenburg County, Elizabeth Bradford paints the natural world around her. With extraordinary, saturated colors and meticulous, zoomed-in details, her landscapes can be exotic, surprising, even strange. They are also poetic: meditative celebrations of the beauty, interconnectedness and geometry of the natural world.
On canvases nearly as tall as she is, Bradford takes countless hours over many weeks to paint the magic she finds in nature. Sometimes it’s an eddy of water. Sometimes it’s the messy bank of a receded river, where roots protrude and collide. Trees, fields, ponds, creeks: Bradford finds wonderlands in them all. Representational, but with deep, twisting tentacles into abstraction, her canvases beg the viewer to look hard.
In January 2023, Hidell Brooks Gallery in Charlotte plans a solo exhibition of her art. Wilmington’s Cameron Art Museum exhibited a powerful one-woman show of Bradford’s work, entitled A House of One Room, in 2021. Her paintings are also in the permanent collections of the Mint Museum in Charlotte, the Weatherspoon Art Museum at the University of North Carolina at Greensboro, and the Blowing Rock Art and History Museum, as well as in many top corporate collections.
This University of North Carolina at Chapel Hill graduate considers herself largely self-taught as an artist, but she also studied painting and lithography at Davidson College and worked as an art teacher before devoting herself full time to her craft.
Bradford says her work began to “develop a power” when she started backpacking in the mountains of North Carolina about nine years ago. With two friends, she started “going into a lot of obscure places, wild places, where the world is crazy,” she says. Now armed with a pole-mounted camera, she takes photos as she goes, hundreds of them in the space of a few days’ hike. These images become her inspiration when she returns to the studio. “Truth is stranger than fiction,” she says. “The wild is stranger than anything I can dream up.”
(left) Weeds at the Treadwell, (right) Cumberland Island Swamp
The truth is also more meaningful. The wilder the land, the more Bradford says she finds to care about. “I’m on a mission to sensitize people to the beauty of the earth,” she says. To take things “that aren’t obviously beautiful and to render them beautiful.” She does that in large part with unexpected, vibrant oil and sometimes embedded shards of glass, something she once eschewed as a “cheap trick.” But after a number of years of hewing as close to the actual color of the natural world as possible, she decided she was selling herself short. “Why are you being this ascetic?” she says she asked herself. “Why are you denying yourself access to something you love so much? And so I started pumping up the color. And as a result I’ve gotten more imaginative, more intuitive. More soulful.”
She brings all of that to every one of her subjects, most recently weeds. “Weed studies have introduced me to some really cool forms,” she says. “Arabesques and extravagant curves. I’ve been playing with a lot of that . . . I’m always trying to keep moving outward, not just repeating the same things. I keep looking for newness.”
Actively challenging herself has become an ingrained habit, one that began the year Bradford turned 40 and made a promise to herself: “Instead of getting bummed out about getting old, every year for my birthday I would pick something I didn’t think I could do, and I would spend a year trying to do it.” That first year, she decided she would paint a painting every day. A few years ago, she made the commitment to learn French. Lately, she’s begun renovating an 1890s farmhouse, one she discovered deep in the woods on the bank of a creek, far from roads and traffic and noise. A two-hour drive from her (also 1890s-era) Davidson home, it will serve as Bradford’s summer residence and studio. “It’s my dream,” she says.
And so as she ages, Bradford’s world gets more and more interesting — not that boring is an option. “The world is just so complicated and fascinating,” she says. “There are just not enough years of life to do everything you want to do.”PS
This is an excerpt from the forthcoming book Art of the State: Celebrating the Art of North Carolina, to be published by UNC Press this fall.
Betty Crocker and I go back a while, though I don’t go back as far as she goes. Betty Crocker, icon for General Mills, is 100 years old this year. One of the most recognized advertising symbols in the world, Betty has only gotten younger. Many up-to-date hairdos and wardrobe changes. She has kept up with the times. My relationship with her ended amiably enough, and I have my little red spoon of confidence lapel pin to prove it.
Many years ago when I lived in Charlotte in a split-level house, carpooled in a wood-paneled station wagon, and did all kinds of PTA and Boy Scout stuff, my family was a member of a very exclusive club. We were one of 500 General Mills test families across the country. I tested recipes that ended up on the backs of cereal boxes, flour packages and General Mills products, excuse the expression, in general. I wasn’t paid but was reimbursed for the cost of recipe ingredients. I figured since I baked and cooked anyway, why not make it interesting? And I like to try new recipes.
Helen Moore, my good friend as well as neighbor, was at that time food editor for the Charlotte Observer. She invited me and several other women of various ages and stations to a lunch with two home economists from General Mills. It was a lovely lunch in a nice restaurant, a real treat in the middle of the week. Good food, fun conversation, and afterward I was asked to be part of 500 families scattered across the country. The home economists explained that, though they tested recipes in their laboratory kitchens in Minneapolis, they wanted reactions from real people in real home kitchens. Where the pasta meets the road, so to speak.
During the years I tested a variety of recipes, everything from vegetable dishes (carrots cooked in frozen apple juice with fresh ginger was a good one) to cookies made with various cereals, to a whole series of recipes using wine. I saw many of these later in cookbooks. For the most part, my family was good-natured about the whole thing. They were used to seeing different things on the table when they sat down to dinner.
After I tested a recipe, I filled out forms that included what I had paid for certain ingredients, whether I had them on hand, how difficult they were to find, and so on. Other forms asked if the instructions on the recipe were clear. Was it hard to follow? How much time did it take to make it? And there was always the question of my family’s reaction. They were the ultimate arbiters. Actual people eating real food in a home kitchen. Nothing complicated. Except the time I was sent a recipe for gumbo.
No, I did not have filé powder on hand.
No, I did not keep canned okra on my pantry shelf.
I didn’t know you could even CAN okra. And it surely didn’t sound appetizing. Breaded and fried okra is food of the gods! But okra in a can? In the South yet? Sacrilege.
So, I went in search of canned okra. In those days Amazon wasn’t even a twinkle in Jeff Bezos’ eye. Managers of the A&P, Kroger’s and Harris (before there was Teeter) laughed at me. Was I some kind of nut? Canned okra? I finally found a lonely can on the bottom shelf of a tiny exotic foods market. Exotic for North Carolina, certainly.
Then I made my first and only gumbo.
My family’s reaction, after a couple of mouthfuls, was to ask if we couldn’t go to McDonalds.
We did, leaving plenty for the garbage disposal and a none-too-glowing report for Betty Crocker.
After that, whenever my sons sat down to something unfamiliar, their immediate reaction was, “Are we eating Betty Crocker?”
I probably tested recipes for Betty for six or eight years. The gumbo was the only unqualified disaster. A lot of the recipes I still make — a Wheaties cookie; many of the wine dishes, including a pot roast cooked with Burgundy.
The program was discontinued but, as a token of their appreciation, I was given a tiny version of Betty’s trademark, a small, enameled red spoon lapel pin — the Phi Beta Kappa of gumbo, I suppose — and a real conversation piece at dinner parties.PS
Ruth Moose taught creative writing at the University of North Carolina-Chapel Hill for 15 years and tacked on 10 more at Central Carolina Community College.
Question: How much should a house reflect its occupant’s background/taste/lifestyle/beliefs?
Somewhat, with a few pertinent artifacts, mementos?
Definitely, with unity of theme or period, palette or furnishings?
Completely, for Le-Arne Morrissett of the lilting Aussie accent.
This requires formidable juxtaposition, since Morrissett’s house is cookie-cutter contemporary, located in a cluster of villas, circa 1980s, overlooking Lake Pinehurst. The interior, however, conjures distant continents: A paella pan hangs from the wall, and a tagine sits on a rough-hewn refectory table, in front of a vast counter assembled from reclaimed wood which, aided by a massive cedar beam, divides the open kitchen from the great room containing a cream-colored sectional and two chairs upholstered in orange velvet.
“Orange is a color that has an awareness to it, and makes people happy,” Morrissett believes.
From the tagine comes chicken tagine, a Moroccan specialty redolent of preserved lemons, apricots, olives and spices. The aroma — totally casbah. From the paella pan comes Thanksgiving dinner.
Beside her front door, Morrissett planted a Buddha garden, selecting a small statuette from her collection. On the walls hang century-old woven tapestries called suzani, once included in bridal dowries.
A single swath of Uzbekistani fabric drapes a sidewall window and cascades onto the floor.
While the effect might excite a Western eye, Morrissett — having experienced Asia, India, Pakistan, Turkey, Europe — describes it as “calm,” a favorite word.
Zen abides here.
It was a former husband’s golf quest that lured this distaff Marco Polo to Pinehurst.
“I’ve always lived by the water,” Morrissett explains, looking out over the sun-sparkled lake. “I love the calmness and quiet nature of the water, the ducks and geese.”
What she didn’t love was the predictable condo layout, which cut 2,000 square feet into cubicles. So she took most of the main floor down to the studs, opened it up, then closed off the loft (accessed by a free-standing winding staircase) to make a guest suite. This created a second-story wall — perfect for hanging abstracts, one by her daughter at age 5. Other oversized décor includes two weathered barn doors attached directly to a wall. A ceiling fixture was constructed from three massive glass jars resembling light bulbs suspended from the cathedral ceiling.
The floors: What could this material be, so cool to bare feet? Puddles of bright, navy-blue-against-gray concrete, sealed with a glaze, common in Australia, replaced vinyl floors and, surprisingly, kitchen countertops. Carpet wears out, wood needs refinishing, Formica stains. Concrete is forever.
Area rugs in blue and orange Middle Eastern designs soften footsteps in high-traffic areas.
Morrissett is an artist. Her medium, hair, which she styles at Beautopia, her salon in downtown Southern Pines. But she also indulges in shoes. Remember Imelda Marcos, first lady of the Philippines, infamous for her politics, famous for her 3,000 pairs of shoes? Morrissett’s collection numbers only 100, visible from a made-to-order cabinet in the master bedroom.
“Shoes make me happy,” she says. No surprise, hers are colorful, unusual, better for dancing than office wear. So why not display?
Obviously, this lady revels in the unconventional. The remodel of her bathroom puts a tub inside the glass shower enclosure, a nod to Turkish bath houses — surely a first in Moore County. In her son’s room and throughout the house, case pieces are painted in East Indian motifs and hues. Buddha makes several more appearances. Because Morrissett loves to cook exotic dishes, the major investment went into the kitchen, now quasi-industrial, with gray walls, stainless steel cabinets and appliances.
“I live in this kitchen,” she says
The view, as seen from a large deck, remains an ungilded lily and emblem for Morrissett’s philosophies. “The lake reminds you just to breathe, to be so grateful of what is around you, to be aware of its sustainability.”
Decorating against the grain requires confidence, self-awareness, whether the result is Scandinavian contemporary in Hong Kong or Jaipur in a Carolina golf community. Morrissett has embodied both traits in this highly personal and expressive residence. “At night when you can’t see the lake I sit outside and look into the house . . . just magic,” she says. “This house was my therapy. I bought it by myself, furnished it by myself.”
Finally: “How a house lives is so much more important than how it looks.”
How is it possible that Ken Burns’ recent four-hour Ben Franklin documentary received ho-hum reviews? Have PBS devotees grown too familiar with Burns’ still-life voiceover production style? Maybe. But the lackluster reviews are more likely the fault of the kite-flying, bifocaled purveyor of the bon mot, old Ben Franklin himself. He’s every American’s everyman, the most human of our Founding Fathers.
We grew up learning about Franklin, and most of us believe we know what needs to be known about the archetypal American Renaissance man. Historian Michael Meyer’s Benjamin Franklin’s Last Bet: The Favorite Founder’s Divisive Death, Enduring Afterlife, and Blueprint for American Prosperity is a timely reminder that there is still much to learn about the influence Franklin continues to wield in 21st century America.
When he died in 1790 at the age of 84, Franklin was not universally mourned by his countrymen. Meyer reminds readers that George Washington and the Congress refused to acknowledge attempts by the French to express their condolences at Franklin’s passing, and John Adams had little good to say about his former diplomatic partner. Among his later detractors were Mark Twain, who wrote that Franklin “early prostituted his talents to the invention of maxims and aphorisms calculated to inflict suffering upon the rising generation of all subsequent ages”, and D.H. Lawrence reveled in revising and ridiculing Franklin’s 13 virtues.
Meyer’s primary focus is on the influence of Franklin’s last will and testament. William, Franklin’s first-born son who had sided with the British during the Revolution, was left worthless property and ephemera, and his daughter and grandchildren received gifts commensurate with the esteem in which he held them. But it was his “Codicil to Last Will and Testament,” a wordy but straightforward document, that morphed into a hydra-headed legal instrument that would vex administrators, the courts and politicians who attempted to oversee and control its ongoing disbursements.
Franklin established endowments for the cities of Philadelphia and Boston. “Having myself been bred to a manual art, printing, in my native town,” Franklin dictated, “and afterwards assisted to set up my business in Philadelphia by kind loans of money from two friends there, which was the foundation of my fortune, and of all the utility in life that may be ascribed to me, I wish to be useful even after my death, if possible, in forming and advancing other young men . . . .”
Franklin left each city £1,000, or about $133,000 in today’s dollars. The funds were intended to provide small loans to manual and industrial workers — cobblers, coopers, blacksmiths, wheelwrights, carpenters, etc. — to be repaid at 5 percent interest over a 10-year period. In addition to offering a helping hand for the socioeconomic class employed in manual labor, the funds’ underlying intention was to promote good citizenship. (“I have considered, that, among artisans, good apprentices are most likely to make good citizens,” Franklin wrote.) If the principal from the bequests were properly administered, the initial investment should have yielded billions in today’s dollars, making Franklin our first billionaire philanthropist.
So, what became of Franklin’s fortune, and where did his generosity lead us? Meyer follows the money, providing a decade-by-decade accounting of the funds’ expenditures while factoring in economic trends, poor oversight by fund managers, legal squabbles, political infighting, and losses incurred during national recessions and depressions.
All of which sounds incredibly boring. But be assured there’s nothing tedious about Meyer’s chronicle. What emerges is a lively and thoroughly researched social history of the country viewed through our evolving economic affluence and the increasingly litigious nature of American society.
The early ledgers read much like a personalized history of the country: “Turning the musty pages of each loan agreement can feel like reading an old swashbuckling story,” Meyer writes, “bringing the same sense of relief when the last line reveals that a character has made it through. Three cheers for the cabinetmaker Christopher Pigeon, who repaid his debt on time. And a compassionate wag of the head for Paul Revere’s son-in-law, one of only two Boston defaulters.”
Unfortunately, there was skullduggery aplenty in the management and disbursement of Franklin’s gifts. In 1838, Philadelphia’s Franklin Legacy treasurer John Thomason purchased Philadelphia Gas Works stock with Franklin’s bequest, thus impeding the money’s growth and transforming the fund into a tool of corruption and patronage. In 1890, Franklin’s descendants were so aggrieved they felt compelled to file a suit claiming that his bequests should revert to their control.
Boston did not suffer a similar level of financial chicanery. In 1827, William Minot, who administered the fund for 50 years, deposited much of Franklin’s principal into Nathaniel Bowditch’s Massachusetts Hospital Life Insurance Company to acquire interest, thus enabling Boston’s fund balance to surpass Philadelphia’s for the first time. Beantown never trailed again.
In the final analysis, Franklin’s bequests accomplished very little of their original intent. In the days before central banking, loans were difficult to administer in an equitable manner, and many of the later loans suffered default or were not repaid on time. By 1882, Philadelphia had only about $10,000 left in its fund. Franklin had failed to factor in even a single default, and he had no way of foretelling the emergence of liberal credit terms and the growing availability of loans charging less than 5 percent interest. In 1994, the entirety of Boston’s Franklin fund went to the Benjamin Franklin Institute of Technology. The Philadelphia Foundation continues to manage its Franklin Trust Funds for its original purpose.
At this moment of intense political division and national soul searching, Benjamin Franklin’s Last Bet is a timely reminder that we remain a generous people, and that philanthropy lives on in the hearts of ordinary Americans. The popularity of GoFundMe pages is the latest manifestation of our desire to help those in need, an example of the civic-mindedness exercised by the “good citizens” Franklin hoped to encourage.PS
Stephen E. Smith is a retired professor and the author of seven books of poetry and prose. He’s the recipient of the Poetry Northwest Young Poet’s Prize, the Zoe Kincaid Brockman Prize for poetry and four North Carolina Press Awards.
One early morning in 1979, Vinh Luu’s parents dressed him and his six siblings as if for school, before leading them cautiously out into the dark city streets of Saigon. Beneath those outfits, they wore as much clothing as they could put on, walking away from their family home with little more than the clothes on their backs. They were headed to an unnamed location to meet the smugglers they’d paid to arrange their escape. There they waited to be ferried in smaller, less conspicuous groups to board the rickety fishing boat they hoped would carry them to a new life.
The Luus had lived in Saigon since Vinh’s grandparents immigrated from China. His father worked as a dentist with the South Vietnamese Army, and his mother’s grocery business was the breadwinner for their large family. Vinh remembers her as a hard worker, and successful. Living in the capital city, the family did not see much bloodshed during the war years. “I remember after the fall of Saigon, you hear a lot of these celebrations by the Communists, shooting guns up in the air,” he says. “I remember seeing tanks tearing up the streets when they came in.”
After the fall of Saigon, the family stayed, hoping things would be better — they weren’t. In mid-1975 the Communist Army confiscated his mother’s grocery business, shutting down the entire supermarket with the promise that they would eventually return it to the local owners. His parents decided to flee soon after.
“You know, I think about it all the time,” Vinh says. “I can’t imagine bringing seven children, risking everyone’s lives for this trip. You take a chance at life; you have to make a decision. I can’t imagine just putting one life at risk, so for them to do that, it was desperate.” And not just their seven children — the Luus brought along extended family, loaning three uncles and numerous extended family the funds necessary for escape.
They paid extra — all in gold, as the currency was by then worthless — to ensure everyone was on the upper deck. Simple inland boats used mostly on the Saigon River, the holds were barely suitable for carrying any cargo, much less the human kind. During the escape, Vinh and his older sisters were separated from their parents and placed below deck. “This is a rickety old fishing boat,” Vinh remembers. “The smell of engine oil and saltwater down there — I passed out. When I woke up, I was completely naked. Literally, I was marinated in that engine oil, saltwater mixture.”
Eventually reunited with his parents on deck, his mother’s first concern was, “Where are your clothes?” Vinh’s infectious smile lights up his face as he gestures comically. “I’m like, ‘Mom, how am I!’ Come to find out later she had sewn gold necklaces and bracelets into our clothes to live off of at the refugee camp.”
Their ship floated in the South China Sea for nine terrifying days, struggling with broken engines, faulty navigation, seasickness, crowded conditions and little food. The passengers worked to stabilize the craft during storms, moving from port to starboard in an effort to avoid capsizing on the rough seas. Vinh remembers being so weak, he doubts he would have lived had they not made landfall when they did. One of his 2-year-old cousins died on the boat, as did his paternal grandfather. Their bodies were thrown overboard.
“After I reunited with my parents on the boat, I sat next to my dad. I don’t know when my grandfather died on the trip, but my dad, he was just bawling. I didn’t know why, and I cried with him. But now, looking back, I know why — either his father passed away, or he didn’t think that we were gonna make it.”
The boat landed on an isolated Indonesian island, where they remained for almost three months. Their boat disintegrated the day after landfall. Discovered by the island’s inhabitants, they were eventually moved to a more official camp.
Luu family at the island refugee camp.
“The first island we were on, it was like what you pay to go to now. It was like paradise. The men built huts out of coconut leaves,” Vinh says. They spent the next three months in the second, larger camp before being moved to Galang Refugee Camp, where they would be processed for relocation. The latter two camps were rife with disease. Vinh remembers being sick throughout, the family living in what amounted to a cardboard box.
Tote bag with the family’s official refugee case number.
He has a reminder of the camps preserved on one of the few family heirlooms to have survived the escape, a black leather tote bag. Marked on the bag and still visible is the family’s official refugee case number, which was used for everything in the camps, from housing to meals. It’s engraved in Vinh’s mind as well, a five-digit number he’ll never forget. He says it twice, first in Vietnamese and then in English — 62291.
Their stay in the camps was prolonged, since the Luus were determined to wait until space restrictions allowed for two conditions: that they go to America, and that they go together. Ultimately a church in Gastonia, North Carolina, sponsored the family. Vinh doesn’t remember much from his first sight of America, but he does remember his first days in Gastonia.
“We had a beautiful snowstorm. I ran outside barefoot — and came right back in,” he says and laughs at the thought of his cold-footed scamper.
That contagious grin is as etched on Vinh’s face as his family’s case number is on the leather bag. Starting school in Gastonia, he couldn’t speak the language. “I was pretty fortunate. We had a teacher’s assistant and she devoted a lot of time helping me. I was fortunate to have wonderful teachers growing up. They had an incredible, long-lasting impact on my life,” he says, his eyes beaming with gratitude.
Left: Vinh and his friends, Jason Jones and Dennis Muldowney.
Right: Vinh with his American mom and dad, Kathy and Jim Muldowney.
It didn’t hurt that he’s incredibly smart. It’s the first thing his close friend, Jason Jones, noticed about him. “The first time I heard his name was in algebra. Every time we had a test, our algebra teacher would announce who got a 100. She’d call out, ‘John Smith and Vinh Luu made a hundred.’ And then the next test, ‘Amy made a hundred and Vinh Luu made a hundred.’ And I was thinking, ‘Who is this Vinh Luu guy?’”
Despite having been in the country only a few years and still learning a new language, Vinh tried his hand at anything and everything. Jones produces their 1989 high school yearbook as proof. While keeping excellent grades and working as a grocery bagger at Food Lion, Vinh’s smiling face appears throughout the volume. Jones laughs and taps the Quiz Bowl Team image lightly. “Even though his English was bad, every week he would come and we would ask questions. And even though that was not his strength, he still wanted to learn; he still wanted to participate; he still wanted to just do it. That’s Vinh,” he says.
The two friends take trips together every few years. One took them to Las Vegas, where they elected to try something other than gambling on the strip. They rented bikes to ride the Red River Canyon, a challenging 30-mile trip. As the experienced cyclist, Jones could tell Vinh was struggling on the uphill, hot desert route. Every time he checked on him, Vinh’s reply was a quavering, “I’m O-O-O-K,” right up to the moment he dismounted and heaved his morning’s breakfast at the side of the road.
Jones wanted to call “a paddy wagon, or 911,” but Vinh wouldn’t hear of it. “And we finished that 30-mile ride. I couldn’t believe it — but that’s just the kind of guy Vinh is.”
Vinh’s older sister married and headed to San Francisco at the end of his junior year. His family decided to move with the newlyweds. Vinh went out that summer but found himself homesick for North Carolina. “There’s a big Asian community out there” he says, “and this is pretty funny, but I started school there, and I couldn’t find American kids. It was all Asian kids. And I was homesick. ‘Where are my American kids to hang out with?’” He laughs. His parents agreed to let him move home to Gastonia, where he stayed with his friend Dennis Muldowney’s family for senior year before enrolling at N.C. State.
His “American mom and dad,” Kathy and Jim Muldowney, say he’s been part of the family ever since. Jim gestures to a large photograph on the living room wall of their Raleigh home — a beautiful family portrait of children and grandchildren at the beach for a Thanksgiving reunion. Jim points to Vinh in the center of the frame. “That’s our family.”
“I joke he gets adopted by about 20 people a year,” Jones says of Vinh’s ability to make friends and create family. When an elderly neighbor mentions their worries about the long drive to a family wedding in Florida, Vinh volunteers to chauffeur them. A 90-year-old neighbor’s son visits regularly from out of state, and Vinh delivers him to and from the airport, refusing payment. A neighbor posts on the NextDoor app looking for assistance and Vinh answers the ad, generating another close bond.
Left: Vinh and his family.
Right:Vinh and his parents.
As the oldest son, Vinh still maintains his family role as patriarch despite the nearly 3,000 miles separating him from his West Coast family. For him, there are no passing acquaintances — every relationship sparks a long and meaningful connection. Jones remarks fondly that although “Vinh’s never married, I don’t know anybody that has as big a family as he does.”
After graduating from N.C. State, Vinh began a long career at Ericsson Telecommunications, working in the Research Triangle. During the ’90s a new co-worker arrived from Iran, a political refugee who relied on Vinh for his advice and guidance. Years and a few out of state relocations later, the two stay in touch. Vinh’s a good mentor for anyone, but particularly for those seeking to build a new life.
“Assimilate,” he says, passing along his best advice. “Your roots and everything, it’s very important to carry on. But the faster you assimilate, the better off you are. And there’s nothing wrong with that, because this is your new life. And work hard. There are so many opportunities here, people don’t realize.”
While the family was blessed to find a welcoming community in Gastonia, they met with their share of challenges. Vinh still remembers the time a group threw rocks at their home, shattering windows before beating a hasty retreat. The experiences of his early years — a house fire in Vietnam that claimed the life of an older sister and his family’s terrifying escape from Saigon — could have been a struggle to overcome, the stuff of mental anguish.Vinh mentions that at one time he suffered from sleep paralysis, a sensation of being conscious but unable to move before waking, evoking terror and a sense of powerlessness. But Vinh has a superpower of his own, a buoyant nature and deep connection to others through simple, genuine kindness.
“It’s much different now than in the ’80s when we came here. People are more knowledgeable about things outside the U.S. and Americans are very — they care,” he says. “So, these refugees that end up here, I think they’re gonna be well taken care of. There’s hope.”
After Ericsson closed its R&D section in the Triangle, Vinh Luu’s expertise brought him to the Sandhills in 2016 to work as a contractor on mobile wireless technology for U.S. Special Operations Command at Fort Bragg. He feels as though he’s come full circle.
“You know, you have the Americans who went into Vietnam and fought for the South Vietnamese, us. And now, I’m doing work that protects the troops — keeps them safe, and America too, in that respect. It’s neat when I think about it. It’s more than a job, you’re actually protecting America.”
Service may be his profession, but his hobby is people. “I do a lot of stuff for some older folks that need help. I don’t have an exciting life,” he says with characteristic humor.
His friend Jason Jones goes to the heart of the matter. “Vinh is a good example of what America should be about — and has been about. This is why we are a country of immigrants, and this is why it is a dream.” The dream expressed by Martin Luther King Jr., “that every man is heir to a legacy of dignity and worth.”
It is an inheritance Vinh Luu earns every day.PS
Aberdeen resident Amberly Glitz Weber is an Army veteran and freelance writer. She’s proud to live in a country where there are Vinh Luus.
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