Southwords

SOUTHWORDS

Holiday Hotline

The Christmas letter that wasn’t

Dear Friends,

In the words of Michael Scott at Dunder Mifflin, over the lips and through the gums, look out stomach, here it comes! Well, it was quite a year. Hottest on record! Yay us! It got off to a great start when the War Department dropped her reckless endangerment charges. As I tried to explain to her at the time, it was only a suggestion. Live and learn.

As you may know, the Carolina Panthers did not win the Super Bowl. Aaaaagain. Turns out they’re worse than their record would indicate. Maybe they should take a page from the convention and visitors bureau in Kentucky that used an infrared laser to send an invitation into deep space attempting to attract extraterrestrials from planets in the TRAPPIST-1 solar system. They can’t do any worse than they do in the NFL draft or making trades. Am I right?

It was a leap year, of course, and that meant the War Department and I had the opportunity to enjoy an additional 24 hours in each other’s company. As it turned out, she was booked on Feb, 29, explaining that it’s not unusual for her to plan years ahead. That’s my girl!

Instead, I read that Finland is the happiest country in the whole wide world, a distinction it has held for seven straight years, which has got to be one of those records that can never be broken — like DiMaggio’s 56-game hitting streak or the Portuguese dog that lived to be 31 — and it wasn’t even in assisted living! So, you tell me, are the Finns sending out deep space laser messages, too? At least they don’t have a football team!

And it goes without saying that we all got fabulous news when McDonald’s announced its intention to sell Krispy Kreme doughnuts fresh daily. This revelation happened around the time cicada broods XIX and XII stuck their little heads out of the ground to rub wings together and party like it was 2024. The last time they did that fandango in the back yard was 221 years ago. Coincidence?

Of course, in June we had the U.S. Open right up the street. Bryson DeChambeau expressed no interest whatsoever in renting our doublewide for the week. Worse luck for him! On the plus side, Scottie Scheffler managed to get through the week without being hauled off in handcuffs. WWGD. What would Gomer do? Citizen’s arrest! Citizen’s arrest!

That’s about when we discovered that, in its latest update, the Oxford English Dictionary added (among other words and expressions) “Chekhov’s gun” to its lexicon. Chekhov, of course, was the Russian playwright who described the literary principle that says unnecessary elements should never be introduced into a story. If you have a gun in the play, someone needs to use it. Which brings me to Rory McIlroy. Ha-ha.

Right after the Open came the Olympics in France. Incroyable! Turns out Simone Biles is tiny. I’m talking Keebler cookie tiny. But that’s OK. As the great Dan Jenkins once said of a famous gymnast, “She can do everything my cat can do.”

I don’t know about you, but the Paris Olympics were a smash hit in our house, and I think it’s safe to say there are some things we can keep in mind for when we host the Open again in 2029. How about those opening ceremonies floating down the Seine? Think Drowning Creek. Am I wrong?

When it comes to mano a mano competition, however, the U.S. Open had nothing on Joey Chestnut, who had to forgo competing for Nathan’s Mustard Belt after he sold his soul to a rival food company. You know what Hunter S. Thompson said, “When the going gets weird, the weird turn pro.” In a counter programing one-on-one match Chestnut downed 83 dogs — not the Portuguese kind, ha-ha — to beat his sworn rival, someone named Kobayashi, who I don’t think has had steady work since The Usual Suspects. Who is Keyser Soze?

It was an election year, and I decided not to run again. Those background checks! Who needs them?

The whole family was here for Thanksgiving, and the War Department made her traditional beef aspic. Lily, the almost 4-year-old, looked at me with those big, wide eyes and said, “Craps.” That’s what she calls me. “Meat Jell-O?” From the mouths of babes!

On to 2025!

Toodles,

The Maury Arties 

Almanac

ALMANAC

Almanac December

By Ashley Walshe

December is a bite of ginger, a dusting of sugar, a thick swirl of molasses.

Beyond the kitchen window, the quiet earth glitters in gentle light. Birdsong warms the frosty air. Save for the twitch of slender ears, a cottontail rabbit sits frozen in a sunbeam.

Just as the seasons announce themselves with unmistakable clarity, so, too, does this day. You reach for a hand of ginger, a paring knife, a timeworn recipe. Today is the day for ginger cookies.

As you peel and mince, the redolent fragrance of fresh ginger awakens your senses. Imagine growing in the darkness as this root did. The way life might shape you. What gifts for healing you might hold.

Butter softens on the stovetop. You stir in the ginger, brown sugar, cinnamon and molasses. A pinch of sea salt. Vanilla extract. Another pinch of sea salt. 

Whisk in the egg. Add the flour and baking powder. The steady dance of wooden spoon stirs something deep within you, too.

This is how it goes. Homemade cookies send you time traveling. As you shape the dough, the timeworn hands of the ones who shaped you begin to clarify. 

Memories are sharp and warm and sweet — here and gone like frost across the leaf-littered lawn.

As for the cookies? Same, same.

Sink your teeth into the golden edges, the chewy centers, the sugar-laced magic. Delight in the depth of flavor. Let the ginger bite back.

Sprig and a Peck

Here’s a fun fact about a favorite Yuletide parasite. The word mistletoe is derived from the Old English misteltan, which roughly translates to “dung on a twig.” You can thank its high-flying seed mules for that. Although the white berries are toxic to humans, many bird species rely on mistletoe as a mineral-rich food source throughout the barren days of winter. If you find yourself standing beneath a festive sprig with the one you adore, consider tucking the etymology morsel away for later.

Moment of Gratitude

Cold air makes for dazzling night skies. Check out Aries (the ram), Triangulum (the triangle) and Perseus (the hero who beheaded Medusa). Not a night owl? Christmas Bird Counts happening across the Carolinas this month are a constellation in and of themselves. If rusty blackbirds and yellow-rumped warblers are more your speed, consider joining a local count to get in on the action. (Map available at carolinabirdclub.org.)

Stars and birds aside, don’t forget to count your blessings. The great wheel continues to turn. Winter solstice arrives on December 21. As we celebrate the longest night of the year — and the promise of brighter days to come — give thanks for the warmth and brilliance in your own life. You know what they say: The best things in life aren’t things.

December has the clarity, the simplicity, and the silence you need for the best fresh start of your life.

— Vivian Swift

Art of the State

ART OF THE STATE

Scaling It Down

Hoss Haley, a sculptor known for giant steel pieces, is creating more intimate, personal work

By Liza Roberts

Hoss Haley’s steel sculptures stand like elegant typography on the landscape: giant sans-serif letters, semicolons, exclamation points. Linear, spherical, bold and approachable, many top 6 feet and are meticulously crafted of Corten steel, a weathering steel with a distinct rusted patina. The Spruce Pine artist ships it in from Alabama 10,000 pounds at a time, hauls it into his studio with a bridge crane, then mashes it in presses he made himself out of parts collected from a scrap yard.

That’s the art Haley’s widely known for, large public pieces that form focal points in prominent places like downtown Charlotte, the Charlotte Douglas International Airport, Spruce Pine’s Penland School of Craft and North Carolina State University. He’s in the permanent collections of museums including the Mint Museum, the Asheville Art Museum and the North Carolina Museum of Art, where his striking Union 060719 stands on a rise at the entrance, proudly welcoming all comers.

But Haley’s new work is quieter. More of an homage to nature than to power, he’s making white steel branches and trunks that lie tumbled or stand sawn, no longer alive but reaching, ghostly and elegant. They are a record of nature, he says, not an interpretation.

Making them is also a different process. Instead of pounding the repurposed roofing metal he uses for these works with massive machines, he rivets it together by hand, painstakingly, with thousands of individual rivets. He likens the process to quilting, to his grandmother’s own Depression-era quilts.

“I want to make sure I define the years I have left in the way that I want them,” says Haley, who is in his early 60s. That was true before Hurricane Helene hit his community so hard, before he and everyone around him found themselves without water or power for weeks on end. Before he found himself helping his neighbors, turning a welder into a generator to power his refrigerator, or clearing miles of local roads of fallen trees with his chainsaw.

After that, Haley looked at his tumbled white branches and saw something new. A premonition, perhaps, of what was to come.

Making the Tools

If his process has changed lately, what drives it hasn’t. Haley has always invented his own way of working and made his own tools to create his art. To fabricate his larger works, he had to figure out how to turn 5-foot-square sheets of weathering steel into a malleable artistic medium. He then had to take these rectilinear, 90-degree parallel planes and collide and combine them in unexpected and often sudden curves.

“It’s the tension that I find kind of juicy,” he says. That place — where man meets material, where straight and curved lines abut and diverge — has fascinated Haley since he was a boy. His family’s 3,000-acre wheat and cattle farm in Kansas offered wide-open vistas and a curving horizon, broken by a strict geometry of fencing and property lines. Also on the farm was a sizable metalworking shop, where Haley learned to weld and make things. Including machines; including art.

Today, after about 25 years in North Carolina, his work remains rooted in that past. “It’s an ongoing conversation between myself and the machines and the material and my worldview, and goes all the way back to the fact that I grew up on that farm in Western Kansas,” says Haley. “It’s all in there. It’s part of this big stew.”

The stew is constantly evolving. “I’m transitioning a little bit at my age,” he says. “I’m less interested in the public art scale.” One reason is the extensive time involved in making a massive work; another is the satisfaction he’s taking in creating on his own, without the four or five assistants needed to create his larger-scale pieces. As for a third, “I’m delving deeper into working alone, but also working towards work, instead of working towards deadlines,” he says. “I’ve always had a show or installation coming up. Now I’m trying to respond to what’s driving ideas in the studio, ideas that aren’t being forced by outside pressures. That’s a huge luxury, and one I’m enjoying. But it’s a little scary making work you don’t have a destination for.”

“Scary” doesn’t seem to daunt Haley. He’s doubling down on his fresh direction with the construction of a new studio on his property, a “clean space” for drawing and other less messy forms of art. Among the projects he’s planning there is the creation of a “drawing machine,” which he describes as “a way to take myself out of the equation, a way to bring a random component into the process, and then I’m in dialogue with that.” With a drawing utensil gripped by a mechanical arm, the machine he envisions would take its directions from nature. The weight of a bird on the various perches of a feeder, for instance, would move the pen or pencil up or down, left or right.

Separating himself from the physical act of making art, metaphorically and literally, is something Haley has explored for a long time. He believes the word “craft” is most useful as a verb, and he’s careful to keep it that way, “in service to the idea” rather than the point of it all. “So that if I decide to leave [the mark of] a weld, or take that [mark] away, that decision is based on where I’m trying to go with the work, not that I’m trying to show you some aspect of my ability to make crap,” he says.

It’s been a long time since Haley had to convince anyone of his ability to make art, “crap” or anything else. Some have compared Haley’s work with that of the celebrated, recently deceased Richard Serra, who also made massive, moving works of Corten steel. Haley credits Serra’s work with inspiring him to consider the power of mass and volume in his work. “Serra taught me that sculpture could go beyond the visual experience,” Haley says. “You could actually feel its presence.”

While that’s undoubtedly true in Haley’s large works, it is refined and distilled in his smaller ones. Perhaps that is due in part to the inspiration that’s fueling them. “I’ve found myself back in that place where I can forget to stop for lunch,” he says. “As an artist, there’s a reality: Oftentimes, art is just work. It might be inspired work, but a lot of days, you’ve got to get up, go to the studio, got to make it happen. So this has been fascinating to me, to be in that kind of a fresh place where all of the extraneous stuff has been taken away, and the process lends itself to a kind of meditative state.” 

Bookshelf

BOOKSHELF

December Books

FICTION

The Paris Novel, by Ruth Reichl

When her estranged mother dies, Stella is left with an unusual inheritance: a one-way plane ticket and a note reading Go to Paris. But Stella is hardly cut out for adventure — a childhood trauma has kept her confined to the strict routines of her comfort zone. When her boss encourages her to take time off, Stella resigns herself to honoring her mother’s last wishes. Alone in a foreign city, Stella lives frugally until she stumbles across a vintage store where she tries on a fabulous Dior dress. The shopkeeper insists that this dress was meant for her and, for the first time in her life, Stella does something impulsive. She buys the dress, and together they embark on an adventure. Her first stop: iconic brasserie Les Deux Magots, where Stella tastes her first oysters, and then meets an octogenarian art collector who decides to take her under his wing. Introduced to a veritable who’s who of the 1980s Paris literary, art and culinary worlds, Stella begins to understand what it might mean to live a larger life. 

Bel Canto: The Annotated Edition, by Ann Patchett

First published in 2001, Bel Canto may be Patchett’s most beloved novel. Set in an unnamed South American country, at the home of the vice president, it is the story of a lavish birthday party honoring Mr. Hosokawa, a powerful Japanese businessman. Roxanne Coss, opera’s most revered soprano, has enthralled the international guests with a mesmerizing performance. The evening is perfect — until a band of gun-wielding terrorists takes the entire party hostage. What begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds, and people from different continents become compatriots. Now, more than two decades after this artistically daring novel’s debut, Patchett revisits her early work in this special annotated edition.

NONFICTION

Julia Child’s Kitchen, by Paula J. Johnson

Julia Child’s kitchen was a serious workspace and recipe-testing lab that exuded a sense of mid-century homey comfort. It has been on display at the National Museum of American History in Washington, D.C., for most of the past 20 years, and museum-goers have made it a top destination. Between lively narrative, compelling photography and detailed commentary on Julia’s favorite kitchen gadgets, Julia Child’s Kitchen illuminates the stories behind the room’s design, use, significance and legacy, showing how deeply Child continues to influence food today.

Every Valley: The Desperate Lives and Troubled Times that Made Handel’s Messiah, by Charles King

George Frideric Handel’s Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras, but this work of triumphant joy was born in a worried age. Britain in the early Enlightenment was a place of astonishing creativity but also the seat of an empire mired in war, enslavement and conflicts over everything from the legitimacy of government to the meaning of truth. Every Valley presents a depressive dissenter stirred to action by an ancient prophecy; an actress plagued by an abusive husband and public scorn; an Atlantic sea captain and penniless philanthropist; and an African Muslim man held captive in the American Colonies and hatching a dangerous plan for getting back home. At center stage is Handel himself, composer to kings but, at midlife, in ill health and straining to keep an audience’s attention.

CHILDREN’S BOOKS

A Dragon for Hanukkah, by Sarah Mlynowski

Filled with holiday fun, exciting (and unusual!) gifts, family traditions and even a little bit of history, A Dragon for Hanukkah is the perfect book to celebrate the holiday or introduce new friends to old traditions. Grab your dreidel and join the celebration. (Ages 3-7.)

A City Full of Santas, by Joanna Ho

Is there a kid anywhere who hasn’t wanted to meet the “real” Santa? With that peppermint-chocolatey smell, sunny bright laugh, glittery-glowy presence, what could be more delightful? This sweet Santa story is for any child on your list who is determined to meet St. Nick himself. (Ages 3-7.)

Frostfire, by Elly MacKay

Those etchings you see on frozen windows? That’s frostfire — Snow Dragon breath. Snow Dragons, as you must know, live in snowbanks and dine on pine cones. And, if you’re quiet and truly believe, maybe you’ll see one. Any young dreamers or nature lovers will love this magical, snowy title. (Ages 4-7.)

Still Life, by Alex London

Of course, just when you finish creating your still life, a dragon is sure to stir things up. Art meets fantasy in this laugh-out-loud picture book with seek-and-find potential, a treat for that kid who loves jokes, riddles and a little silliness. (Ages 5-7.)

The Sherlock Society, by James Ponti

Action, adventure, cooperation, historical fiction and a grandpa with an awesome car named Roberta. For mystery lovers or anyone looking for a family read-together, The Sherlock Society has it all. (Ages 9-13.)

Focus on Food

FOCUS ON FOOD

Good Luck Grapes

A fresh take on an old tradition

Photograph and Story by Rose Shewey

What should naturally follow The Twelve Days of Christmas? The Twelve Grapes of New Year’s, of course. What sounds like a silly social media fad is actually an Old World Spanish custom which is, for better or for worse, rooted in tradition — though the origin isn’t entirely clear.

The ritual of las doce uvas de la suerte — or “the twelve grapes of luck” — entails eating one grape with each strike of the bell that rings in the New Year. The objective is to finish all your grapes before the chiming ends. It sounds easy enough but, depending on your level of soberness, can be a bit of a choking hazard. Each grape represents one month of the year to come. Those who finish their grapes in time are believed to have greatly enhanced their chances of good luck in the New Year.

Back to the risky business of stuffing your mouth full of grapes in under 30 seconds: While the grapes have to be fresh (some claim that cunning Alicantese winemakers started this ritual to sell an abundance of grapes), the fruit may be baked. So, keep the raisins in the pantry but do roast your grapes in the oven and enjoy jammy, sweet and warming grapes that will softly burst on your tongue and aren’t likely to clog your airways just minutes into 2025.

Or you could part with superstition entirely and relish your food in a, shall we say, more dignified and civilized manner. Serve roasted grapes with soft cheese and fresh baguette and savor every bite — no better luck to be had and projected forward than sharing delectable food with family and friends, unhurriedly, as you slide into the New Year.

Balsamic Roasted Grapes

1 pound grapes, washed and dried

2 tablespoons olive oil

2 tablespoons balsamic vinegar

1/2 teaspoon fine sea salt

A couple of twists of black pepper

Preheat oven to 400 degrees F. Separate grapes into smaller clusters or remove stems completely. In a large glass bowl, combine grapes with olive oil and balsamic vinegar and gently stir to evenly coat the grapes. Spread grapes on a roasting pan in a single layer (use two pans if grapes are too crowded) and sprinkle with salt and pepper. Roast for about 20-30 minutes or until grapes start to shrivel and burst. If desired, decant the pan juices into a small pot and simmer down into a savory syrup. Serve with brie cheese or on fresh baguette.

Birdwatch

BIRDWATCH

Magnificent Migration

The splendor of snow geese

By Susan Campbell

Here in central North Carolina, when someone says “goose,” we tend to think Canada goose. Canadas are everywhere — year-round —large, brown and white, often noisy and hard to dissuade from our yards, ponds and parks. Like it or not, they congregate in the dozens after breeding season ends in mid-summer. But these are not the only geese in our state during the cooler months. If you travel east, you will find snow geese — and not just a few dozen but flocks numbering in the thousands.

As their name implies, snow geese are mainly white in color. Their wing tips are black but their bills, legs and feet are pink. There is also, at close range, a black “grin patch” on their bills. Size-wise, snows are a bit smaller than Canada geese but their voices are, unquestionably, louder. They produce a single-syllable honk which is repeated no matter whether they are in flight or on the ground, day or night.

These beautiful birds are, like all waterfowl, long-distance migrants. As days shorten in the fall, snow geese gather and head almost due south before cold air settles in. Migration finds them high overhead, arranged in “V” formations and flying mainly at night, when conditions are cooler. They may stop and feed at staging areas along the way, staying in the same longitude for the most part. When flocks finally arrive in North Carolina, it will be in the early morning hours along our coast. These will be individuals from Eastern populations — birds that have come all the way from western Greenland and the eastern Canadian Maritimes.

During the winter, snow geese remain in large aggregations that move from well-known roosting locations, which are usually larger lakes, to nearby feeding areas that provide an abundance of vegetation — seeds as well as shoots and roots of nutrient-rich plants. These are likely to include native aquatic vegetation as well as agricultural crops such as corn and soybeans. As they move from place to place, even if it is a short distance, the birds will swirl up and into formation, honking all the while, and then swirling dramatically again as they descend. It is a sight to behold!

These distinctive birds can sometimes be found inland in the cooler months, though they are most likely to show up alone or in small numbers, mixed in with local Canadas. You might find the odd snow goose or two in a farm pond, playing field or agricultural area in the Triad or Sandhills.

To fully appreciate the splendor of these beautiful birds, it is worth a trip east in early-to-mid January. For the best viewing, try the large agricultural fields adjacent to, or on, Pocosin Lakes National Wildlife Refuge. You also may find birds moving to or from the lake at Lake Mattamuskeet National Wildlife Refuge. Pea Island National Wildlife Refuge on the coast holds a smaller number of snow geese in December. They can be seen feeding along N.C. 12 until the wild pea plants there — one of their favorite foods — are spent.

Poem December 2024

POEM

December 2024

Winter Solstice

The sun through branches lights

my face. I look through

my eyelashes: prisms.

I close my eyes,

the field glows

warm carmine.

No snow, no

promise of snow.

A crow bark-laughs.

Another clatters its beak like castanets.

Their chatter perhaps

of pecans aplenty

or the simple mad joy

of being alive

in this moment.

It is easy

to love

what is passing.

Debra Kaufman

Character Study

CHARACTER STUDY

Hanging Up the Suit

A Santa’s last ho-ho-hurrah

By Jenna Biter

Santa takes a sip of coffee, not milk. He’s also not wearing red velvet. And he doesn’t go by Santa, St. Nick or Kris Kringle when he’s off the clock. He goes by Bill Russell, and he has lived in the Sandhills, not the North Pole, for almost 50 years.

“Once you get a little sand in the shoes, you can’t get it out,” Russell says, breaking into a smile. His rosy cheeks lift, causing his blue eyes to shine. Sure, he can step out of the Santa suit, but the jolly face travels with him.

“I wear this year-round,” he says, pulling at his cheeks.

Russell could remove his rimless spectacles but doesn’t. He could dye or shave his snowy white hair and beard but chooses not to. Bill is the real deal.

People do a double take even when he’s incognito, dressed in an outfit as inconspicuous as a navy microfleece and khaki shorts. It’s not rare for a young child to spot his beard, tug on the hem of Mom’s skirt and jab a pudgy finger his direction. Even though he’s off duty, Russell will give a friendly wave and a wink. Santa incognito.

Being St. Nick is a sacred responsibility. Russell knows that, and with his authentic appearance, it’s one that will follow him even as he steps out of his shiny black boots and into retirement.

After three final appearances as the kindly old elf, Bill is hanging up his Santa suit for good. He’s handing off the reindeer reins to spend more time with his beloved Mrs. Claus, Doris, during the most wonderful time of the year. It’s a Christmas gift they both deserve after his 30-plus years in the sleigh.

Russell first slipped into a Santa suit in his early 40s when his adult children, Chelsea and Russ, were still young. The kids knew their father was destined to be Father Christmas when his red beard began turning white.

“When it started going, that’s when they gave me the suit,” Russell says, remembering the peculiar birthday present. “It was down and dirty. A cheap one.” He laughs at the memory.

“Try it on, see if it works,” they said. And it did. Russell had the magic even in that bargain basement outfit.

His career started slowly, with a few small gigs. He posed for photos with the children of their church’s pastor, then worked an event for the Little People Loving and Learning Preschool in Southern Pines.

“That was one of my first real gigs, you know, showing up at a certain time and being Santa,” Russell says.

It’s fitting that the preschool site of one of his first appearances will also be the site of one of his last. The other sunset tour engagements are the Christmas party for the Russells’ retirement community, Pinehurst Trace, and The Arc of Moore County’s annual bowling party for people with intellectual and developmental disabilities.

“I can’t look them in the face and say, ‘No.’ I just can’t do it,” Russell says, shaking his head.

At the peak of his Santa persona, he sat for 26 events in a year, all stuffed into those hectic weeks between Thanksgiving and Christmas. He landed all the wish-granting gigs by word of mouth, never asking for one, and always worked them for free.

“I’m not saying someone wouldn’t slip me a $20 sometimes,” Bill says, hedging. He doesn’t want to risk landing on his own Naughty List.

Russell donned the red suit neither for money nor fame but because everyone — young, old and in-between — needs a good-hearted Santa come Christmastime.

“The suit commands a lot of power,” he says, striking a serious note. “It sounds ridiculous, but you’re looked at differently. Walk in wearing a Santa suit and this place becomes like putty in your hands.”

He rubs his fingers across his palm. “Can I come and see you, Santa?” Russell says softly in imitation. “It doesn’t matter if you’re 6 years old or 80.”

Even the slim minority of Scrooges are usually won over after a few magic moments with Santa. “It’s bizarre because I can’t think of anything to say right now, but if I put the suit on, it all just flows,” he says.

Often Russell worked two or three gigs per day, sometimes dashing across town to change into his Santa suit in a friend’s bathroom. “It can be a very exhausting day,” he says, physically and emotionally. “When you put the suit on, you’re on.” If he gave the first kid 10 minutes, he made sure to give the last kid 10 minutes, too, at times to the chagrin of hosts who were ready to wrap it up.

“You put your whole self into it for however long you’re there,” he says, describing the role like he’s a method actor.

That all-in mentality made no day more exhausting, nor more rewarding, than Santa’s annual fly-in at Pik N Pig, the barbecue hotspot in Carthage. Each year, a pilot would donate his plane and time to fly Bill and a schtick of skydiving elves from the Moore County Airport onto the runway beside the restaurant. When Santa Russell landed, there would be a line of 300 or so wide-eyed youngsters eager to climb onto his lap.

“Last year was my last year,” Russell says with a sigh. “That’s a lot of fun. I will miss that. I’ll miss the kids.”

Sometimes the kids were shy, screaming until their cheeks matched his suit. Other times they were inadvertently funny, like the time a young boy asked for a bull to breed with his cows. On occasion, the kids’ requests could even bring Bill to tears.

“Especially during the era of crisis when we were overseas fighting,” he says. “Every day, you’d get a kid come sit in your lap and say, ‘I just want my dad to come home.’”

The blue eyes puddle. “I just want them to know that Santa is always there,” he says.

And with a wink and a nod and a finger aside his nose, up the chimney he goes, one last time. 

Tea Leaf Astrologer

TEA LEAF ASTROLOGER

Sagittarius

(November 22 – December 21)

You know that shameless party guest who just can’t stop with the eggnog? Darling, you are the eggnog. Rich, indulgent and best in small doses, most folks simply don’t know how to handle you. This month kicks off with a Sagittarius New Moon conjunct a retrograde Mercury in Sagittarius (read: you’re going to feel tipsy). Wait until December 5 to dive into that new project you’re all charged up about. Success may take a while, but the seeds you plant now will take root.

Tea leaf “fortunes” for the rest of you:

Capricorn (December 22 – January 19)

The gift isn’t always obvious.

Aquarius (January 20 – February 18)

Don’t leave before the second act.

Pisces (February 19 – March 20)

Make friends with your color palette.

Aries (March 21 – April 19) 

Look under the couch.

Taurus (April 20 – May 20)

Cut the fluff.

Gemini (May 21 – June 20)

Invest in wool socks.

Cancer (June 21 – July 22)

Double dog dare you to care less.

Leo (July 23 – August 22)

Two words: sugared cranberries.

Virgo (August 23 – September 22)

Tacky is as tacky does.

Libra (September 23 – October 22)

Go for the upgrade.

Scorpio (October 23 – November 21)

Prepare to dazzle yourself.

Omnivorous Reader

OMNIVOROUS READER

Finishing Touches

How Katherine Min’s last novel came to be

By Anne Blythe

The story about the making of The Fetishist, Katherine Min’s posthumously published novel, is almost as interesting as the book itself. It has been touted as a novel ahead of its time — a comic, yet sincere, tender and occasionally befuddling exploration of sexual and racial politics.

The story is told through three main characters: Daniel Karmody, a white Irish-American violinist from whom the novel gets its name; Alma Soon Ja Lee, a Korean-American cellist, who’s only 13 when the first of many fetishists she encounters whispers “Oriental girls are so sexy”; and Kyoto Tokugawa, a 23-year-old Japanese American punk rocker who devises a madcap assassination plot to avenge the man she believes to be responsible for her mother’s suicide.

The novel starts 20 years after the estrangement of Alma and Daniel and ends with them reconnecting. In between, readers get to see Kyoto’s zany failed assassination attempt of Daniel and subsequent kidnapping. They’ll learn of his dalliances with a cast of women — many of them musicians, such as Kyoto’s mother, Emi — while he longed for the excitement and thrill he felt with Alma.

The intertwining of the narratives of these protagonists and the intriguing significant others in their orbits lead to alluring plot twists and a timeless appraisal of the white male’s carnal objectification of Asian women. But let’s start with the end of the book and the touching afterword by Kayla Min Andrews, Min’s daughter, a fiction writer like her mother, who explains how The Fetishist came to be published.

It almost wasn’t.

Min was diagnosed with breast cancer in 2014 and died in 2019, the day after her 60th birthday. She was an accomplished writer who taught at the University of North Carolina at Asheville for 11 years, as well as a brief stint at Queens University in Charlotte. Her first published novel, Secondhand World, a story about a Korean-American teen clashing with immigrant parents, came out in 2006 to literary acclaim and was one of two finalists for the prestigious PEN Bingham Prize. During the ensuing years, Min worked on what would become her second and final novel, The Fetishist, reading portions to her daughter over the years.

“My new novel is very different from Secondhand World,” Min told her daughter during a phone call Andrews details in her afterword. “It’s going to have many characters, omniscient narration. Lots of shit is going to happen — suicide, kidnapping, attempted murder. It’ll be arch and clever, but always heartfelt. I’m gonna channel Nabokov. And part of it takes place in Florence, so I have to go there as research.”

Min completed a draft of The Fetishist sometime in 2013, her daughter writes. “I assumed she would pass it to me when she was ready,” Andrews wrote. “But she was still revising, polishing.” Then the cancer diagnosis hit.

Although fiction had long been Min’s forte, she stunned her family shortly after getting the news, letting them and others know that she no longer was interested in what she had been writing and instead found purpose in personal essays examining her experiences with illness and dying.

“She never looked back,” Andrews wrote. “When anyone asked about The Fetishist, Mom would say, ‘I’m done with fiction,’ in the same tone she would say, ‘I’m a word wanker,’ or, ‘I’m terrific at math.’ Matter-of-fact, with a dash of defiant pride. She didn’t refer to The Fetishist as an ‘unfinished’ novel. She called it ‘abandoned.’”

And that was that.

As Min’s life was coming to an end, she and Andrews discussed many things, such as where she wanted her “remaining bits of money” to go, and how the playlist for her memorial service should include The Clash’s “Should I Stay or Should I Go,” DeVotchKa’s “How It Ends,” and Janis Joplin’s “Get It While You Can.”

“What we did not discuss in the hospice center was her abandoned novel. Or her essay collection. Or anything related to posthumous publishing,” Andrews wrote. After several years of grieving, therapy and a new celebration of her mother, Andrews and others saw to it that The Fetishist, found nearly completed in manuscript form on her mom’s computer, would be shared with others. Andrews helped fill in the story’s gaps.

“I am so happy Mom’s beautiful novel is being published; I am so sad she is not here to see it happen,” Andrews wrote. “I’m happy The Fetishist’s publication process is helping me grow as a writer and a person; I’m sad Mom’s death is the reason I’m playing this role. I suppose I no longer conceptualize joy and sorrow as opposites, because everything related to The Fetishist’s publication makes me feel flooded with both at once.”

Sorrow and joy are among the emotions that flood through The Fetishist, too. Min had it right when she told her daughter her novel would be “arch and clever, and very heartfelt.” The author’s note at the beginning of the novel sums it up well:

“This is a story, a fairy tale of sorts, about three people who begin in utter despair. There is even a giant, a buried treasure (a tiny one), a hero held captive, a kind of ogre (a tiny one), and a sleeping beauty,” she advises her readers. “And because it’s a fairy tale, it has a happy ending. For the hero, the ogre, and the sleeping beauty, and for the giant, too. After all, every story has a happy ending, depending on where you put THE END.”