Southwords

SOUTHWORDS

Holiday Hotline

The Christmas letter that wasn’t

Dear Friends,

In the words of Michael Scott at Dunder Mifflin, over the lips and through the gums, look out stomach, here it comes! Well, it was quite a year. Hottest on record! Yay us! It got off to a great start when the War Department dropped her reckless endangerment charges. As I tried to explain to her at the time, it was only a suggestion. Live and learn.

As you may know, the Carolina Panthers did not win the Super Bowl. Aaaaagain. Turns out they’re worse than their record would indicate. Maybe they should take a page from the convention and visitors bureau in Kentucky that used an infrared laser to send an invitation into deep space attempting to attract extraterrestrials from planets in the TRAPPIST-1 solar system. They can’t do any worse than they do in the NFL draft or making trades. Am I right?

It was a leap year, of course, and that meant the War Department and I had the opportunity to enjoy an additional 24 hours in each other’s company. As it turned out, she was booked on Feb, 29, explaining that it’s not unusual for her to plan years ahead. That’s my girl!

Instead, I read that Finland is the happiest country in the whole wide world, a distinction it has held for seven straight years, which has got to be one of those records that can never be broken — like DiMaggio’s 56-game hitting streak or the Portuguese dog that lived to be 31 — and it wasn’t even in assisted living! So, you tell me, are the Finns sending out deep space laser messages, too? At least they don’t have a football team!

And it goes without saying that we all got fabulous news when McDonald’s announced its intention to sell Krispy Kreme doughnuts fresh daily. This revelation happened around the time cicada broods XIX and XII stuck their little heads out of the ground to rub wings together and party like it was 2024. The last time they did that fandango in the back yard was 221 years ago. Coincidence?

Of course, in June we had the U.S. Open right up the street. Bryson DeChambeau expressed no interest whatsoever in renting our doublewide for the week. Worse luck for him! On the plus side, Scottie Scheffler managed to get through the week without being hauled off in handcuffs. WWGD. What would Gomer do? Citizen’s arrest! Citizen’s arrest!

That’s about when we discovered that, in its latest update, the Oxford English Dictionary added (among other words and expressions) “Chekhov’s gun” to its lexicon. Chekhov, of course, was the Russian playwright who described the literary principle that says unnecessary elements should never be introduced into a story. If you have a gun in the play, someone needs to use it. Which brings me to Rory McIlroy. Ha-ha.

Right after the Open came the Olympics in France. Incroyable! Turns out Simone Biles is tiny. I’m talking Keebler cookie tiny. But that’s OK. As the great Dan Jenkins once said of a famous gymnast, “She can do everything my cat can do.”

I don’t know about you, but the Paris Olympics were a smash hit in our house, and I think it’s safe to say there are some things we can keep in mind for when we host the Open again in 2029. How about those opening ceremonies floating down the Seine? Think Drowning Creek. Am I wrong?

When it comes to mano a mano competition, however, the U.S. Open had nothing on Joey Chestnut, who had to forgo competing for Nathan’s Mustard Belt after he sold his soul to a rival food company. You know what Hunter S. Thompson said, “When the going gets weird, the weird turn pro.” In a counter programing one-on-one match Chestnut downed 83 dogs — not the Portuguese kind, ha-ha — to beat his sworn rival, someone named Kobayashi, who I don’t think has had steady work since The Usual Suspects. Who is Keyser Soze?

It was an election year, and I decided not to run again. Those background checks! Who needs them?

The whole family was here for Thanksgiving, and the War Department made her traditional beef aspic. Lily, the almost 4-year-old, looked at me with those big, wide eyes and said, “Craps.” That’s what she calls me. “Meat Jell-O?” From the mouths of babes!

On to 2025!

Toodles,

The Maury Arties 

Almanac

ALMANAC

Almanac December

By Ashley Walshe

December is a bite of ginger, a dusting of sugar, a thick swirl of molasses.

Beyond the kitchen window, the quiet earth glitters in gentle light. Birdsong warms the frosty air. Save for the twitch of slender ears, a cottontail rabbit sits frozen in a sunbeam.

Just as the seasons announce themselves with unmistakable clarity, so, too, does this day. You reach for a hand of ginger, a paring knife, a timeworn recipe. Today is the day for ginger cookies.

As you peel and mince, the redolent fragrance of fresh ginger awakens your senses. Imagine growing in the darkness as this root did. The way life might shape you. What gifts for healing you might hold.

Butter softens on the stovetop. You stir in the ginger, brown sugar, cinnamon and molasses. A pinch of sea salt. Vanilla extract. Another pinch of sea salt. 

Whisk in the egg. Add the flour and baking powder. The steady dance of wooden spoon stirs something deep within you, too.

This is how it goes. Homemade cookies send you time traveling. As you shape the dough, the timeworn hands of the ones who shaped you begin to clarify. 

Memories are sharp and warm and sweet — here and gone like frost across the leaf-littered lawn.

As for the cookies? Same, same.

Sink your teeth into the golden edges, the chewy centers, the sugar-laced magic. Delight in the depth of flavor. Let the ginger bite back.

Sprig and a Peck

Here’s a fun fact about a favorite Yuletide parasite. The word mistletoe is derived from the Old English misteltan, which roughly translates to “dung on a twig.” You can thank its high-flying seed mules for that. Although the white berries are toxic to humans, many bird species rely on mistletoe as a mineral-rich food source throughout the barren days of winter. If you find yourself standing beneath a festive sprig with the one you adore, consider tucking the etymology morsel away for later.

Moment of Gratitude

Cold air makes for dazzling night skies. Check out Aries (the ram), Triangulum (the triangle) and Perseus (the hero who beheaded Medusa). Not a night owl? Christmas Bird Counts happening across the Carolinas this month are a constellation in and of themselves. If rusty blackbirds and yellow-rumped warblers are more your speed, consider joining a local count to get in on the action. (Map available at carolinabirdclub.org.)

Stars and birds aside, don’t forget to count your blessings. The great wheel continues to turn. Winter solstice arrives on December 21. As we celebrate the longest night of the year — and the promise of brighter days to come — give thanks for the warmth and brilliance in your own life. You know what they say: The best things in life aren’t things.

December has the clarity, the simplicity, and the silence you need for the best fresh start of your life.

— Vivian Swift

Christmas to the Max

CHRISTMAS TO THE MAX

Christmas to the Max

A forever home for the holidays

By Jenna Biter     Photographs by John Gessner

A pair of life-size nutcrackers stand guard at the top of a grand outdoor staircase. If you dare approach the unflinching sentries, look past them and you can see golden holiday lights through the glass double doors that lead into the Bailey house. Not those Baileys. Our Baileys. It’s not Bedford Falls, it’s Pinehurst, but it’s still a wonderful life.

“We really love Christmas,” Michelle Bailey says. “A house where you can see the Christmas tree through the door — we always wanted that.”

In their previous home, Michelle and Justin Bailey had to rearrange the living room so their fresh-cut tree could take its rightful place in the window. Not anymore. They designed their forever home, a 6,500-square-foot modern manse in the Country Club of North Carolina, with that ghost of Christmas past in mind.

Just inside the entryway, a grand double staircase flanks a plump fir topped with a bow. Garlands strung with red balls and more golden lights festoon the banisters that nearly encircle the tree, like a room-size wreath. And that’s only steps to the foyer.

Michelle smiles wide. “Justin’s just as much of a cheeser for overdoing the holidays as I am,” she says.

Holiday decorator Hollyfield Design Inc. helped the Baileys breathe the spirit of Christmas into their new home, popping a swag over each mantel and a Christmas tree into what seems like every room. From the candy-colored ornaments to the hot-pink plaid ribbons, the Whos down in Whoville would absolutely adore the playful palette and trimmings. Certainly the Grinch would love to shove the entire jolly scene into a sack and steal it.

The Baileys purchased their 1-acre lot in 2020, began construction the following year, and moved into their sprawling build on the Dogwood golf course just in time for the 2022 holiday season. But the family of four had few decorations, let alone furniture, by the time Santa made his annual rounds.

“We put a tree there, and we had lawn chairs and folding tables,” Michelle says, pointing.

Since the move-in, the house has been filled to the brim, like St. Nick’s sleigh on Christmas Eve. From the outside, the home is a minimalist’s dream. Clean lines meet traditional architecture in a transitional style that’s finished in off-white painted brick and crisp black trim. Inside, it’s maximalism to the max.

“I didn’t want a khaki house with a few accents,” says Michelle with a shrug.

Halfway through construction, she found a like mind in South Carolina decorator Aston Moody.

“I told her I like Persian rugs and animal prints and Buddhas, and that is exactly what she brought me,” Michelle says.

Like kids on Christmas morning, cheetah-print rugs race down the stairs to white oak herringbone floors. A pair of wingback chairs converse with a funky floor lamp that resembles a Truffula tree.

Past the chairs, in the heart of the house, a dining table basks beneath a tiered crystal chandelier hanging from a coffered ceiling. The open floor plan flows from living room to dining room to kitchen, where a black and brass La Cornue range demands all the attention. Its massive hood curves to the ceiling like a billow of smoke.

“This stove was in my dreams forever,” says Michelle, still pinching herself.

It’s choose-your-own-adventure to explore the rest of the Bailey house. From the kitchen, you have two options: 1). Turn through a pocket door into a pantry wallpapered in a very Southern, very busy cornflower-blue print; or 2). Blow past the look-at-me stove into an entertaining wing complete with a restaurant-size bar, champagne vending machine and golf simulator. Michelle’s good friend and Pinehurst artist Kristen Groner hand-painted the walls with a Rorschach design.

From the entertaining wing, exit sliding glass doors onto a patio looking out at the 10th hole. There’s a second dining table, plus a sitting area with a TV. Fans, heaters, a fireplace, retractable screen doors and a roof keep the space pleasant year-round.

“One of the big things about loving to entertain is I love my private space, too,” Michelle says. “Upstairs is us only.”

The second floor is where you’ll find bedrooms for the Baileys’ teenage children, Peyton and Preston, plus the master en suite. Standout features include a stately brass tub by Catchpole & Rye and a Persian rug, more than a century old, that was a wedding gift for Michelle’s grandparents.

Once the furniture install was completed in June 2023, Michelle threw herself a birthday bash/housewarming party for 60 people on the patio. The Baileys’ first full season of entertaining had begun.

“It’s how I grew up,” Michelle says. Surrounded by family, friends and fun.

Both Michelle and Justin are from California. The couple met in high school. She attended college, earned her nursing degree and now works in medical device sales. He’s retired from the Army Special Forces. Like many families, Justin’s military service is what moved the Baileys to the area, first to Raeford, then Fayetteville, Southern Pines, and now to their home in Pinehurst.

The Baileys thought they’d pack up and return to the West Coast after Justin retired, but that didn’t happen.

“We fell in love with it here,” Michelle says, “so we built the forever home. This will always be home base.”

And always home for the holidays.

A Magical Christmas

A MAGICAL CHRISTMAS

A Magical Christmas

Decking the halls the old-world way

By Deborah Salomon   

Photographs by John Gessner

God rest ye merry gentlemen let nothing you dismay.

Old fashioned wreathes and trees and lights will never go away.

In fact, a goodly amount may be found at Kristen Moracco’s historic home in Weymouth, where Mom, Dad, three young children and two dogs commence decorating in a decidedly traditional style in early November. The halls are decked well before Tom Turkey, or an appropriate alternative, appears on a dining room table set with Yule-themed dishes.

Christmas decorations, like fashion, follow fads. Some families prefer a Victorian Christmas. Other celebrants go mod, expressed in silver and blue. Kitchen trees can drip macaroni and hard candy garlands while outside, the hot item is a projection device that showers the house with colored stars.

But nothing enhances traditional Christmas décor more than a suitable backdrop. Kristen grew up with four siblings in a large, comfortable Colonial in a New York City suburb. Happy memories of decorating with her mother provide inspiration. Being a Realtor specializing in historic properties and a member of The Pines Preservation Guild adds context.

About that backdrop: Rosewood, this military family’s 5,000-square-foot home on a prime 2-acre Weymouth lot in Southern Pines, was built in the 1920s by engineer Louis Lachine, who assisted society architect Aymar Embry II in developing the Weymouth enclave. Lachine, recognizing a moneymaker, bought land and built 10 houses on his own. Rosewood, the most impressive of them, was named for its first occupant, the Robert Rose family of Binghamton, New York. Its dark beams and window frames suggest the Arts and Crafts style popular into the 1930s and now enjoying a resurgence.

Renovations accomplished by previous owners, including a magnificent kitchen island of bowling-alley proportions, provides an authentic backdrop for Kristen’s whole-house transformation, which starts with multiple trees, including one in each child’s room.

Professionals install outdoor lighting, but the family accomplishes most interior placements. “It’s fun to be the magic maker . . . a big, important job,” Kristen says.

The main tree, as expected, stands between the fireplace and stairway, encircled by an electric train. Almost as massive is the master bedroom tree. After struggling with live ones, “I was forced to join the fake tree club,” Kristen admits. But ornaments are deeply personal, often reflecting family travels: a Scottish thistle; a soldier; a red telephone box and bus from London. Some are estate sale finds. Santa regularly leaves an ornament for the family collection. Other precious mementoes include a needlepoint stocking made by Kristen’s grandmother, and her mother’s angel collection, part of a dining room spread devoted to angels.

“My mom made Christmas so magical,” she recalls.

Last Christmas, Kristen tried something different: a pasta bar with assorted sauces, meats and veggies for a Christmas dinner attended by 10. “Much more fun,” she says.

Recently, Kristen was given a Christmas village, complete with moving ice skaters, which sprawls across a long table under a portrait of St. Nick that even their 10-year-old accepts as real. The result is a wonderland, full of music, lights, pine boughs and surprises where the family gathers around the fireplace after dinner and listens to Nat King Cole, among others, singing traditional carols.

Then, on Dec. 26, after six weeks of total immersion, Kristen comes up for air and, with a sigh, out come the boxes.

The Bell and the Ballerina

THE BELL AND THE BALLERINA

The Bell and the Ballerina

Fiction by Jim Moriarty
Illustrations by Matt Myers

Every Christmas, for as long as I can remember, the ornament Mother took special care to hang on the tree was a silver bell. For 11 months of the year it lived in a green felt bag, occupying a corner in the storage box that came down from the attic each December. It was the first, and sometimes only, ornament she put on the tree. It had a red ribbon for hanging, tear drop openings to let its high, sweet tones escape, and a name ornately engraved in the silver:

Emma

Sometimes Mother would smile when she found just the right spot for it. The last few years I’ve watched as her eyes misted over. The name existed nowhere on our family tree. I had often thought of asking Mother who Emma was and where the bell came from but never did, fearing the memory might bring more heartache than pleasure. But when we packed up her things — she was moving away to live with her sister Taylor — I knew she wouldn’t want her silver bell left behind. I also knew it was time to ask.

“Mother,” I said as I dangled the bell from its red ribbon. “Who is Emma?”

Jenny and Emma looked like sisters but they were closer than that. Jenny’s eyes were just as brown as Emma’s, and their hair color was borrowed from the same wheatfield. Side by side, they were often mistaken for twins. If one grew half an inch one month, the other would catch up the next. This went on and on from the first day they could remember and into their eleventh year. All that time, even when they tried to look different — Jenny’s hair in a bun and Emma’s in a ponytail — by the end of the day it all came unraveled and they looked just alike again.

Among the first memories they shared was being watched by the older ones, the neighborhood gang.

“Where is Emma?” Jenny asked.

“Don’t worry, we’ll find her,” Tommy said, because he was a very good older brother.

“Where is Emma?” Jenny said again, and then again.

“Stop crying,” Tommy said. “Look, look. There she is!”

And it was Emma. And Jenny took her hand and held it as tightly as she could.

“Now you two stay here,” Tommy ordered.

“Don’t follow us,” Jenny’s sister Taylor warned them.

“It’s too dangerous,” said Derek from down the street, as if he and all the rest were setting off into the bone-chilling wilderness.

Of course, it wasn’t really scary at all. They just didn’t want two little girls tagging along. And so Jenny and Emma held hands and watched the old ones, all of them, go sliding down the hill, ducking under the sassafras limbs and laughing until they were gone from sight. But even when they were left behind, Jenny and Emma knew something no one else did: Their souls were connected and always would be.

Everyone knows that the very best friends can sometimes do different things, but even when Jenny and Emma were apart, they were together. Emma was the fastest girl in school, and when she ran a race no one cheered louder for her than Jenny. And Jenny loved ballet — oh, how she could pirouette — and no one applauded louder when she danced in her recitals than Emma.

Families have Christmas traditions all their own, too. In Jenny’s house everyone had an ornament that was theirs and theirs alone and only they could hang it on the tree. Jenny’s father had a copper teapot, and Mother a miniature oaken bucket. Every year Father would tell the story of the teapot and the bucket, survivors from their first Christmas tree, in an apartment Mother and Father lived in before any of the children were born. Tommy’s ornament was a dinosaur. Taylor’s was a pair of tiny blue beach sandals. Jenny’s, of course, was a crystal ballerina. How that dancer would twirl!

Emma and Jenny had a tradition of their very own. On Christmas Eve they left their shoes on the porch by the front door — even their houses looked exactly alike — and in the night their shoes filled up heel-to-toe with packages of chewy red and green and yellow and orange gummy bears, each to each, because they both loved them so.

This year, though, Jenny didn’t feel much like leaving her shoes by the door. Emma was moving away. And not just to a different house a few streets across town but to a whole different state hundreds and hundreds and hundreds of miles away. The day before Christmas it was cold outside and as they sat in the living room by Emma’s Christmas tree, Jenny asked her friend if she had a special ornament just like Jenny did.

Emma got up from the floor, reached high up, almost to the star, and took her own special decoration down. It was a silver bell with her name on it in the most elegant writing Jenny had ever seen. Emma gave it a shake and a delicate, beautiful note came out of it.

“Why do you have to move?” Jenny asked her.

Emma sighed. “My mother got a new job.”

“Where?”

“Out West,” Emma said, trying to say it with a hint of adventure but it sounded like the dark side of the moon.

“West,” Jenny said. That was where the sun went down.

That night was Christmas Eve, the best night of the year in Jenny’s house. It was the night they put up their tree. After everyone found the perfect spot for their special ornament, they had one last tradition before disappearing upstairs to wait for morning to come. They were all allowed to open one present. Just one. Father opened his first. Then Mother opened hers. Then Tommy, then Taylor. Jenny was the youngest and had to wait the longest.

Father passed a long, thin present to Tommy. “I wonder what this is,” her brother said as he shook it and put it up to his ear, pretending he couldn’t figure out what was inside the wrapping when it couldn’t have been anything else in the whole world but a hockey stick. Everyone laughed, even Jenny. And they oohed and aahed at the sweater, as downy as kitten fur, when Taylor pulled it over her head. “It’s so soft,” she said.

“This is for you, Jenny,” her father finally said and gave her a small, rectangular box. Jenny pulled the ribbon apart on the top, then pried the tape off one end. She knew what it was, too, but was afraid to hope too hard. It was a plain old shoebox but inside it she found the most wondrous thing — her very first pair of point shoes. Jenny gasped, and she looked at her mother and father and her sister and brother. She pulled her slippers off in a rush, put her feet in her new ballet shoes and tied the pink ribbons around her ankles to hold them in place. She stood up in the middle of the living room, beside their tree with all the lights and ornaments, kicked aside the wads of wrapping paper and empty boxes and twirled and danced and leaped with joy.

Jenny danced around the living room and through the dining room and back through the living room and out the front door onto the porch where her new shoes made a musical sound, scraping and clicking against the wooden deck as if she was keeping time with her heartbeat. As she held her arms out, posed exactly so, and turned and turned, her head flipped around one last time and she saw Emma watching from her living room window. Her best friend in the whole world waved to her and Jenny waved back and they smiled at each other as though their smiles might never vanish.

Though she was very sad, before she went to bed Jenny put her brand new point shoes out on the porch by the door. Then, later that night, when everyone was asleep, she crept down the stairs. The lights on the tree were shining and there were piles and piles of presents, so many she had to slide some out of the way to reach her crystal ballerina. She unhooked it from the tree and sneaky-peeky in the cold night air, carried the ballerina next door, up the stairs onto Emma’s porch. There were two running shoes by the door and Jenny filled the first with gummy bears, then slid her ballerina oh so carefully inside the second.

In the morning when Jenny woke up she rushed downstairs faster than Tommy and quicker than Taylor, past the tree in the living room, past all the presents, straight to her front door where she had left her new point shoes. One was filled heel to its very hard toe with brightly colored gummies. Inside the other was a silver bell. And a note:

We will always be a pair.

Soon, too soon, a big truck backed up to the house next door. But no matter how many winters passed or how many states separated them, even after they each had little girls of their own, the bell and the ballerina found special places on Christmas trees because souls go on forever.

Art of the State

ART OF THE STATE

Scaling It Down

Hoss Haley, a sculptor known for giant steel pieces, is creating more intimate, personal work

By Liza Roberts

Hoss Haley’s steel sculptures stand like elegant typography on the landscape: giant sans-serif letters, semicolons, exclamation points. Linear, spherical, bold and approachable, many top 6 feet and are meticulously crafted of Corten steel, a weathering steel with a distinct rusted patina. The Spruce Pine artist ships it in from Alabama 10,000 pounds at a time, hauls it into his studio with a bridge crane, then mashes it in presses he made himself out of parts collected from a scrap yard.

That’s the art Haley’s widely known for, large public pieces that form focal points in prominent places like downtown Charlotte, the Charlotte Douglas International Airport, Spruce Pine’s Penland School of Craft and North Carolina State University. He’s in the permanent collections of museums including the Mint Museum, the Asheville Art Museum and the North Carolina Museum of Art, where his striking Union 060719 stands on a rise at the entrance, proudly welcoming all comers.

But Haley’s new work is quieter. More of an homage to nature than to power, he’s making white steel branches and trunks that lie tumbled or stand sawn, no longer alive but reaching, ghostly and elegant. They are a record of nature, he says, not an interpretation.

Making them is also a different process. Instead of pounding the repurposed roofing metal he uses for these works with massive machines, he rivets it together by hand, painstakingly, with thousands of individual rivets. He likens the process to quilting, to his grandmother’s own Depression-era quilts.

“I want to make sure I define the years I have left in the way that I want them,” says Haley, who is in his early 60s. That was true before Hurricane Helene hit his community so hard, before he and everyone around him found themselves without water or power for weeks on end. Before he found himself helping his neighbors, turning a welder into a generator to power his refrigerator, or clearing miles of local roads of fallen trees with his chainsaw.

After that, Haley looked at his tumbled white branches and saw something new. A premonition, perhaps, of what was to come.

Making the Tools

If his process has changed lately, what drives it hasn’t. Haley has always invented his own way of working and made his own tools to create his art. To fabricate his larger works, he had to figure out how to turn 5-foot-square sheets of weathering steel into a malleable artistic medium. He then had to take these rectilinear, 90-degree parallel planes and collide and combine them in unexpected and often sudden curves.

“It’s the tension that I find kind of juicy,” he says. That place — where man meets material, where straight and curved lines abut and diverge — has fascinated Haley since he was a boy. His family’s 3,000-acre wheat and cattle farm in Kansas offered wide-open vistas and a curving horizon, broken by a strict geometry of fencing and property lines. Also on the farm was a sizable metalworking shop, where Haley learned to weld and make things. Including machines; including art.

Today, after about 25 years in North Carolina, his work remains rooted in that past. “It’s an ongoing conversation between myself and the machines and the material and my worldview, and goes all the way back to the fact that I grew up on that farm in Western Kansas,” says Haley. “It’s all in there. It’s part of this big stew.”

The stew is constantly evolving. “I’m transitioning a little bit at my age,” he says. “I’m less interested in the public art scale.” One reason is the extensive time involved in making a massive work; another is the satisfaction he’s taking in creating on his own, without the four or five assistants needed to create his larger-scale pieces. As for a third, “I’m delving deeper into working alone, but also working towards work, instead of working towards deadlines,” he says. “I’ve always had a show or installation coming up. Now I’m trying to respond to what’s driving ideas in the studio, ideas that aren’t being forced by outside pressures. That’s a huge luxury, and one I’m enjoying. But it’s a little scary making work you don’t have a destination for.”

“Scary” doesn’t seem to daunt Haley. He’s doubling down on his fresh direction with the construction of a new studio on his property, a “clean space” for drawing and other less messy forms of art. Among the projects he’s planning there is the creation of a “drawing machine,” which he describes as “a way to take myself out of the equation, a way to bring a random component into the process, and then I’m in dialogue with that.” With a drawing utensil gripped by a mechanical arm, the machine he envisions would take its directions from nature. The weight of a bird on the various perches of a feeder, for instance, would move the pen or pencil up or down, left or right.

Separating himself from the physical act of making art, metaphorically and literally, is something Haley has explored for a long time. He believes the word “craft” is most useful as a verb, and he’s careful to keep it that way, “in service to the idea” rather than the point of it all. “So that if I decide to leave [the mark of] a weld, or take that [mark] away, that decision is based on where I’m trying to go with the work, not that I’m trying to show you some aspect of my ability to make crap,” he says.

It’s been a long time since Haley had to convince anyone of his ability to make art, “crap” or anything else. Some have compared Haley’s work with that of the celebrated, recently deceased Richard Serra, who also made massive, moving works of Corten steel. Haley credits Serra’s work with inspiring him to consider the power of mass and volume in his work. “Serra taught me that sculpture could go beyond the visual experience,” Haley says. “You could actually feel its presence.”

While that’s undoubtedly true in Haley’s large works, it is refined and distilled in his smaller ones. Perhaps that is due in part to the inspiration that’s fueling them. “I’ve found myself back in that place where I can forget to stop for lunch,” he says. “As an artist, there’s a reality: Oftentimes, art is just work. It might be inspired work, but a lot of days, you’ve got to get up, go to the studio, got to make it happen. So this has been fascinating to me, to be in that kind of a fresh place where all of the extraneous stuff has been taken away, and the process lends itself to a kind of meditative state.” 

Bookshelf

BOOKSHELF

December Books

FICTION

The Paris Novel, by Ruth Reichl

When her estranged mother dies, Stella is left with an unusual inheritance: a one-way plane ticket and a note reading Go to Paris. But Stella is hardly cut out for adventure — a childhood trauma has kept her confined to the strict routines of her comfort zone. When her boss encourages her to take time off, Stella resigns herself to honoring her mother’s last wishes. Alone in a foreign city, Stella lives frugally until she stumbles across a vintage store where she tries on a fabulous Dior dress. The shopkeeper insists that this dress was meant for her and, for the first time in her life, Stella does something impulsive. She buys the dress, and together they embark on an adventure. Her first stop: iconic brasserie Les Deux Magots, where Stella tastes her first oysters, and then meets an octogenarian art collector who decides to take her under his wing. Introduced to a veritable who’s who of the 1980s Paris literary, art and culinary worlds, Stella begins to understand what it might mean to live a larger life. 

Bel Canto: The Annotated Edition, by Ann Patchett

First published in 2001, Bel Canto may be Patchett’s most beloved novel. Set in an unnamed South American country, at the home of the vice president, it is the story of a lavish birthday party honoring Mr. Hosokawa, a powerful Japanese businessman. Roxanne Coss, opera’s most revered soprano, has enthralled the international guests with a mesmerizing performance. The evening is perfect — until a band of gun-wielding terrorists takes the entire party hostage. What begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds, and people from different continents become compatriots. Now, more than two decades after this artistically daring novel’s debut, Patchett revisits her early work in this special annotated edition.

NONFICTION

Julia Child’s Kitchen, by Paula J. Johnson

Julia Child’s kitchen was a serious workspace and recipe-testing lab that exuded a sense of mid-century homey comfort. It has been on display at the National Museum of American History in Washington, D.C., for most of the past 20 years, and museum-goers have made it a top destination. Between lively narrative, compelling photography and detailed commentary on Julia’s favorite kitchen gadgets, Julia Child’s Kitchen illuminates the stories behind the room’s design, use, significance and legacy, showing how deeply Child continues to influence food today.

Every Valley: The Desperate Lives and Troubled Times that Made Handel’s Messiah, by Charles King

George Frideric Handel’s Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras, but this work of triumphant joy was born in a worried age. Britain in the early Enlightenment was a place of astonishing creativity but also the seat of an empire mired in war, enslavement and conflicts over everything from the legitimacy of government to the meaning of truth. Every Valley presents a depressive dissenter stirred to action by an ancient prophecy; an actress plagued by an abusive husband and public scorn; an Atlantic sea captain and penniless philanthropist; and an African Muslim man held captive in the American Colonies and hatching a dangerous plan for getting back home. At center stage is Handel himself, composer to kings but, at midlife, in ill health and straining to keep an audience’s attention.

CHILDREN’S BOOKS

A Dragon for Hanukkah, by Sarah Mlynowski

Filled with holiday fun, exciting (and unusual!) gifts, family traditions and even a little bit of history, A Dragon for Hanukkah is the perfect book to celebrate the holiday or introduce new friends to old traditions. Grab your dreidel and join the celebration. (Ages 3-7.)

A City Full of Santas, by Joanna Ho

Is there a kid anywhere who hasn’t wanted to meet the “real” Santa? With that peppermint-chocolatey smell, sunny bright laugh, glittery-glowy presence, what could be more delightful? This sweet Santa story is for any child on your list who is determined to meet St. Nick himself. (Ages 3-7.)

Frostfire, by Elly MacKay

Those etchings you see on frozen windows? That’s frostfire — Snow Dragon breath. Snow Dragons, as you must know, live in snowbanks and dine on pine cones. And, if you’re quiet and truly believe, maybe you’ll see one. Any young dreamers or nature lovers will love this magical, snowy title. (Ages 4-7.)

Still Life, by Alex London

Of course, just when you finish creating your still life, a dragon is sure to stir things up. Art meets fantasy in this laugh-out-loud picture book with seek-and-find potential, a treat for that kid who loves jokes, riddles and a little silliness. (Ages 5-7.)

The Sherlock Society, by James Ponti

Action, adventure, cooperation, historical fiction and a grandpa with an awesome car named Roberta. For mystery lovers or anyone looking for a family read-together, The Sherlock Society has it all. (Ages 9-13.)

Focus on Food

FOCUS ON FOOD

Good Luck Grapes

A fresh take on an old tradition

Photograph and Story by Rose Shewey

What should naturally follow The Twelve Days of Christmas? The Twelve Grapes of New Year’s, of course. What sounds like a silly social media fad is actually an Old World Spanish custom which is, for better or for worse, rooted in tradition — though the origin isn’t entirely clear.

The ritual of las doce uvas de la suerte — or “the twelve grapes of luck” — entails eating one grape with each strike of the bell that rings in the New Year. The objective is to finish all your grapes before the chiming ends. It sounds easy enough but, depending on your level of soberness, can be a bit of a choking hazard. Each grape represents one month of the year to come. Those who finish their grapes in time are believed to have greatly enhanced their chances of good luck in the New Year.

Back to the risky business of stuffing your mouth full of grapes in under 30 seconds: While the grapes have to be fresh (some claim that cunning Alicantese winemakers started this ritual to sell an abundance of grapes), the fruit may be baked. So, keep the raisins in the pantry but do roast your grapes in the oven and enjoy jammy, sweet and warming grapes that will softly burst on your tongue and aren’t likely to clog your airways just minutes into 2025.

Or you could part with superstition entirely and relish your food in a, shall we say, more dignified and civilized manner. Serve roasted grapes with soft cheese and fresh baguette and savor every bite — no better luck to be had and projected forward than sharing delectable food with family and friends, unhurriedly, as you slide into the New Year.

Balsamic Roasted Grapes

1 pound grapes, washed and dried

2 tablespoons olive oil

2 tablespoons balsamic vinegar

1/2 teaspoon fine sea salt

A couple of twists of black pepper

Preheat oven to 400 degrees F. Separate grapes into smaller clusters or remove stems completely. In a large glass bowl, combine grapes with olive oil and balsamic vinegar and gently stir to evenly coat the grapes. Spread grapes on a roasting pan in a single layer (use two pans if grapes are too crowded) and sprinkle with salt and pepper. Roast for about 20-30 minutes or until grapes start to shrivel and burst. If desired, decant the pan juices into a small pot and simmer down into a savory syrup. Serve with brie cheese or on fresh baguette.

Birdwatch

BIRDWATCH

Magnificent Migration

The splendor of snow geese

By Susan Campbell

Here in central North Carolina, when someone says “goose,” we tend to think Canada goose. Canadas are everywhere — year-round —large, brown and white, often noisy and hard to dissuade from our yards, ponds and parks. Like it or not, they congregate in the dozens after breeding season ends in mid-summer. But these are not the only geese in our state during the cooler months. If you travel east, you will find snow geese — and not just a few dozen but flocks numbering in the thousands.

As their name implies, snow geese are mainly white in color. Their wing tips are black but their bills, legs and feet are pink. There is also, at close range, a black “grin patch” on their bills. Size-wise, snows are a bit smaller than Canada geese but their voices are, unquestionably, louder. They produce a single-syllable honk which is repeated no matter whether they are in flight or on the ground, day or night.

These beautiful birds are, like all waterfowl, long-distance migrants. As days shorten in the fall, snow geese gather and head almost due south before cold air settles in. Migration finds them high overhead, arranged in “V” formations and flying mainly at night, when conditions are cooler. They may stop and feed at staging areas along the way, staying in the same longitude for the most part. When flocks finally arrive in North Carolina, it will be in the early morning hours along our coast. These will be individuals from Eastern populations — birds that have come all the way from western Greenland and the eastern Canadian Maritimes.

During the winter, snow geese remain in large aggregations that move from well-known roosting locations, which are usually larger lakes, to nearby feeding areas that provide an abundance of vegetation — seeds as well as shoots and roots of nutrient-rich plants. These are likely to include native aquatic vegetation as well as agricultural crops such as corn and soybeans. As they move from place to place, even if it is a short distance, the birds will swirl up and into formation, honking all the while, and then swirling dramatically again as they descend. It is a sight to behold!

These distinctive birds can sometimes be found inland in the cooler months, though they are most likely to show up alone or in small numbers, mixed in with local Canadas. You might find the odd snow goose or two in a farm pond, playing field or agricultural area in the Triad or Sandhills.

To fully appreciate the splendor of these beautiful birds, it is worth a trip east in early-to-mid January. For the best viewing, try the large agricultural fields adjacent to, or on, Pocosin Lakes National Wildlife Refuge. You also may find birds moving to or from the lake at Lake Mattamuskeet National Wildlife Refuge. Pea Island National Wildlife Refuge on the coast holds a smaller number of snow geese in December. They can be seen feeding along N.C. 12 until the wild pea plants there — one of their favorite foods — are spent.

Men In Kilts

MEN IN KILTS

Men In Kilts

Aye, lads, it’s not the crime, it’s the cover-up, especially when it comes to raising money for a good cause. A dozen Moore County men donned the kilts of their clans to pose as pin-ups for a 2025 calendar supporting the Moore County Historical Association. The calendars are available at the Shaw House, 110 W. Morganton Road, Southern Pines and the Country Bookshop, 140 N.W. Broad Street, Southern Pines.

Photographed on the grounds of the Moore County Historical Association’s Historic Properties