The King of Everyman

By Jim Dodson

November’s arrival never fails to put me in a grateful mood, even before the far-flung clan assembles around a Thanksgiving table worthy of a king.

Speaking of kings, in the spirit of giving thanks for the people who have touched our lives, past and present, here’s a grateful little ditty I wrote in the hours after my boyhood sports hero — and quite possibly yours, given his strong connections to this state — passed away.

Around five o’clock on a Sunday afternoon, Sept. 25, my wife, Wendy, and I were watching a late afternoon football game when I suddenly felt overcome by a chill and went upstairs to lie down for an hour before friends arrived for supper.

I’m rarely sick and assumed this peculiar spell was simply brought on by fatigue from working since four in the morning on a golf book I’ve been writing for almost two years, a personal tale called the Range Bucket List.

The first chapter and the last are about my friend, collaborator and boyhood hero Arnold Palmer.

The prologue explains that he was the first name on what I called my Things to Do in Golf List around 1966 after falling hard for my father’s game and reading somewhere that Arnold Palmer started out in golf by keeping a similar list of things he intended to do. Many decades later, while interviewing him early one morning in his workshop in Latrobe, I confirmed this fact with the King of Golf.

The final chapter details an emotional visit I made to see Arnold at home in Latrobe in late summer, about a month before his 87th birthday. I knew he wasn’t doing particularly well. When I walked into his pretty, rustic house sitting on quiet Legends Drive in the unincorporated Village of Youngstown on the outskirts of Latrobe, I found the King of Golf watching an episode of “Gunsmoke,” the No. 1 American TV show about the time Arnold Palmer ruled the world of golf.

He greeted me warmly without getting up. A walker was standing nearby. His wife Kit brought me a cold drink. He turned down the sound and we had a nice time catching up, almost but not quite like many we’ve enjoyed over the past two decades. Arnold’s once seemingly invincible blacksmith body had finally given out, yet his mind and spirit were strong. He insisted on joining Doc Giffin, his longtime assistant, Kit and me for an early supper that evening across the vale at Latrobe Country Club.

The trip was like a homecoming for me — and something I feared would be a farewell.

For two full years, from early 1997 to late 1999, I had the privilege of serving as Arnold Palmer’s collaborator on his autobiography, A Golfer’s Life. I was deeply honored to have been chosen by Arnold and wife Winnie for the project, and touched that he insisted that my name share the cover and title page of the work. I always called the book his book. He always called the book our book.

Not long after we began working on it — both being unusually early risers who often chatted in his home workshop before official business hours — Winnie was diagnosed with a form of ovarian cancer. Arnie, which is what he insisted I call him though I never could quite make myself do so, withdrew from his busy public life so we could get the book completed and published before time took its toll, narrowing the horizon of what was supposed to be a three year project to just under two.

We brought the book out in time to celebrate Arnold’s 70th birthday in September 1999 and the opening of a beautiful, restored red barn that Winnie had always loved just off the 14th fairway at the same club where Arnold grew up under the firm watch of his demanding papa, Deacon Palmer, whom Arnold simply called “Pap.”

Rather than a conventional autobiography of facts and figures and tournament highlights, my objective with Arnold’s book was to create an unusually warm and intimate reminiscence or memoir that read as if Arnold and his fans were simply sharing a drink after a day of golf, and he was quietly relating the 15 or so key moments of his life, revealing how these moments shaped the most influential golfer in history and arguably America’s greatest sportsman.

Both Winnie’s barn and Arnold’s book were a hit. The book was on the bestseller list for almost half a year. The handsome red barn stands in quiet tribute to them both. Winnie passed away less than two months after that special evening Arnold turned 70.

After lying down and lightly dozing for an hour, I heard our guests arriving and got up to go downstairs. The cold and queasiness had passed and I felt much better —  only to find my wife waiting at the bottom of the steps holding out my mobile phone with a very sad look on her face.

A nice person named Molly from NBC News in New York was on the other end, wanting to know if I could confirm a report that Arnold Palmer had passed away.

We spoke for an hour as my incoming call alert continued to light up from news organizations around the world. By midnight I’d spoken with reporters from all the major networks, several cable news organizations, CNN International, a pair of wire services, the Canadian Broadcasting System and Australia’s leading sports call-in show — all of it testament to the drawing power of Arnold Daniel Palmer.

The conversations about his incomparable life and times and seismic impact on popular culture and the world of sports went well into the early morning hours.

Was the chill and queasiness a coincidence, or something more sympathetic in nature?

That’s impossible to say. This much is certainly true: As Winnie commented early in our collaboration, Arnold and I enjoyed unusually strong chemistry and an uncommon connection that is instinctively felt and shared by his millions of adoring fans — and was still apparent in late summer when I visited with him at home.

The morning after our dinner at the club, I also visited with Doc Giffin and Arnold’s amazing staff at Arnold Palmer Enterprises and even saw his younger brother Jerry when he popped in to say hello.

Finally the boss showed up for work around 10 o’clock, trailed by a couple of cheerful young therapists from the local hospital who were planning to do a stretching and exercise session at the Palmers’ home gym aimed at restoring Arnold’s ability to swing a golf club again.

As he signed books and the usual stack of photos and personal artifacts from fans that are always waiting for his immaculate signature every morning of his life, we chatted about various family matters and other things large and small. With Doc and his therapists we even watched a recently colorized CD release of the historic 1960 Masters, where Arnold closed from two shots back to claim his second green jacket, setting off a national frenzy in the process.

At one point as we watched him teeing off on the 72nd hole of the tournament, needing a clutch birdie to secure the win, Arnold declared excitedly — “There, girls! There’s my golf swing!”

The therapy girls were standing directly behind the King of Golf. They were beaming, part of a new generation that never had the pleasure of experiencing the game’s most compelling star in his prime.

Arnold’s eyes were alive with pure joy. There were tears pooling in them.

And even bigger tears pooling in mine.

Doc Giffin, a legend in his own right, just smiled from a few feet away.

A little while later, I did something I’d meant to do for many years.

I handed him my first hardbound copy of A Golfer’s Life and asked him to autograph it.

He accepted the book but gave me what I fondly call The Look — a cross between the scowl of a disapproving schoolmaster and a slightly constipated eagle, one way he loves to needle his friends.

I watched as he took his own sweet time writing something on the title page.

He handed me back the book and said, “Don’t open this until you’re safely home.”

Facing a 9-hour drive home to North Carolina, I somehow managed to wait until I reached my driveway just as the summer day was expiring, at which point I opened the book. He could have written it to 100 million people around the world, all of whom share the same kind of connection with the King of Everyman.

“Dear Jim,” he simply wrote. “Thanks for all your wonderful works. You are the greatest friend I could have — Arnold”

That’s when my waterworks really let loose.

Over the days and week to come, we’ll all be reminded of Arnold Palmer’s extraordinary impact on golf and American life in general, and the mammoth-hearted legacy he leaves behind, especially here in Pinehurst, where his father brought him as a teen to experience the “higher game,” Wilmington, where he won his seventh PGA Tournament, and Greensboro, where he had so many friends but always came up just short of winning the Greater Greensboro Open.   

Still, Arnold’s 62 PGA Tour wins, 90 tournament victories worldwide and seven major championships only partially defined the life of a man from the rural heartland of western Pennsylvania who almost single-handedly pioneered the concept of modern sports marketing, created a business model that turned into an empire stretching from golf tees to sweet tea, and grew to be golf’s most visible and charismatic force, its greatest philanthropist and most beloved ambassador.

During his half-century reign, and largely because of him, in my view and that of many fellow historians, golf enjoyed the largest and longest sustained period of growth in history, a remarkable period that included the formal creation of no less than six professional tours, witnessed television’s incomparable impact, saw the rebirth of the Ryder Cup and revival of European golf, the rise of international stars, and nothing less than a scientific revolution in the realms of instruction, equipment technology and golf course design — all of which Arnold played some kind of role.

How much of this cultural Renaissance was due to this kind, genuine, fun-loving and passionately competitive family man who grew up showing off for the ladies of Latrobe Country Club and earning nickels from them by knocking their tee shots safely over a creek on his papa’s golf course?

Impossible to fully quantify, I suppose. Though I would be inclined to say just about everything.

Golf is the most personal game of all, a solitary walk through the beautiful vagaries of nature. And Arnold Palmer was the most personal superstar in the history of any sport, a true blue son of small town America, the kid next door who grew up to become a living legend, a homegrown monarch for the Everyman in each of us, a King with a common touch.

His charm and hearty laugh and extraordinary undying love of the ancient game he was meant by Providence to elevate like nobody before him will surely live on as long as people young and old tee up the ball and give chase to the game.

His beautiful memorial service at Saint Vincent’s Basilica in Latrobe on Oct. 2 brought out the golf world in force along with hundreds of ordinary folks — the foot soldiers of Arnie’s fabled Army — who in some cases drove all night just to stand and pay homage to their hero on a gorgeous Indian summer afternoon, holding signs that read “Long Live the King of Golf” and “Thank You, Arnie!”

Outside, immediately following the service, as a Scottish bagpiper played “Amazing Grace,” Arnold’s longtime co-pilot Pete Luster made a pair of low passes over the spires of the Basilica in Arnold’s beloved Citation 10 with its signature N1AP registration number, turning sharply toward heaven and flying almost straight up until the airplane was a mere glint in the blue autumn sky.

The woman standing beside me in the silent crowd actually took my arm to steady herself and burst out crying. I hugged her and she kissed me on the cheek like we were old friends saying goodbye.

I’d never seen her in my life but we were friends, as everyone is in Arnie’s Army.  PS

Contact editor Jim Dodson at jim@thepilot.com.

Dark Clowns

By Jim Dodson

I was deep in the country at twilight, heading home with the radio on when I heard about the dark clowns. The BBC presenter sounded skeptical, even amused by reports out of Greenville, South Carolina, where people dressed as clowns were reportedly trying to lure children into the woods with candy and money.

“So . . . is this just a hoax or something people there are really concerned about?” the host asked a local reporter covering the story, his tongue half in cheek.

“I can’t say it’s a hoax,” she replied, “because the police are taking this very seriously. They have warned parents and doubled patrols. This really has a lot of people freaked out.”

So-called “after-dark clowns” have been spooking America quite a bit lately, it turns out, most recently in Winston-Salem and Green Bay, Wisconsin, where a photograph of a dark clown roaming early morning streets carrying black balloons set the Internet on fire. Two Octobers ago residents of Bakersfield, California, were spooked by photographs of “evil after-dark clowns” roaming their streets after hours, showing up under lampposts and frequenting kiddie rides. Since then, reports of dark clowns have cropped up in a dozen other places around the country.

“The police don’t know whether the stories are coming from the imaginations of children or something sinister is afoot, but panicked residents seem to be taking the law into their own hands,” The New York Times noted about this latest outbreak of clowns in South Carolina, adding that shots had been fired into wooded areas where the sightings occurred.

Whatever else may be true, clowns occupy a peculiar space in American popular culture, somewhere between what’s perfectly innocent and downright terrifying. My September issue of Smithsonian notes that clowns have been with us since man’s earliest days in the guise of everything from mythologized tricksters to painted medicine men. Pygmy clowns entertained bored Egyptian pharaohs, and medieval court jesters were entitled to thumb their oversized noses at the king without fear of losing their heads. Ancient Rome had professional clowns whose job it was to pacify unruly crowds at festivals, peacekeepers who kept an eye out for troublemakers. “Well into the 18th and 19th century,” writes Smithsonian’s Linda Rodriguez McRobbie, “the prevailing clown figure of Western Europe and Britain was the pantomime clown, who was sort of a bumbling buffoon.”

Once, standing in a crowd of camera-wielding tourists next to my young daughter on the main drag in Jackson Hole, Wyoming, awaiting a parade of local rodeo riders, I spotted a mime working the crowd and approaching us. My daughter was delighted. But I wasn’t.

Mimes have always made me uncomfortable, a modest phobia I trace to a powerful moment in my early childhood in Mississippi, where my father briefly owned a small newspaper. One evening in the late fall he took my brother and me to a political rally in a cornfield just outside town where a group of strange people showed up wearing white robes and hoods and stood around a bonfire. We didn’t stay long, just long enough for our father to get a quote or two from the mayor and the hooded figures and to frighten the bug juice out of his sons. We asked our dad why those men wore hoods. “Because people who wear masks are weak people often up to no good,” he replied. Our mother gave him holy hell when she found out where he’d taken us just to harvest a quote.

Forty years later, picking up on my post-Klan jitters, the mime paused right in front of us and attempted to make me smile. He made a huge happy face followed by a tragic sad one, rubbing away imaginary tears when I wouldn’t yield. The crowd ate it up.

“Thanks,” I said through gritted teeth. “Feel free to move along now.”

Clowns were everywhere in the America where I grew up. Most were fun-loving and perfectly innocent in those faraway days — Clarabell the Clown on Howdy Doody and Bozo the Clown with his internationally syndicated show — which according to Smithsonian had a 10-year waiting list for tickets.

There was even a clown I liked on my favorite weeknight TV show, Red Skelton’s alter ego Clem Kadiddlehopper, a bumbling painted-up fool who was tolerable only because he often broke up halfway through his skits. In my bedroom I even had a harlequin desk lamp. I attended Ringling Bros. and Barnum & Bailey Circus about that time, exactly once, on the other hand, feeling bad for the animals and truly bothered by the clowns. Only the acrobats appealed to me.

“So the question is,” Smithsonian’s McRobbie wonders, “when did the clown, supposedly a jolly figure of innocuous, kid-friendly entertainment, become so weighed down by fear and sadness? When did clowns become so dark?”

The truest answer is, long ago and far away.

Classical operas and Shakespearean dramas, after all, have long used clown figures as sinister messengers of mystery and intrigue. But in the modern American context it may well have been an evil clown named Pogo who established the motif of the dark clown around town.

His real name was John Wayne Gacy Jr., a friendly chap who entertained children in the Chicago suburbs for years during the middle 1970s before he was arrested, tried and convicted of killing 33 young men. “You know,” he reportedly told investigators, “a clown can get away with murder.” Before Gacy faced execution in 1994, America’s Crown Prince of Killer Clowns spent his time in his cell painting pictures of clowns and self-portraits of himself as Pogo the clown.

After seven years of writing about dark things for my magazine in Atlanta, I officially swore off watching horror films after writing a piece for Boston magazine about a reclusive teen in western Massachusetts whose mother allowed her son to gorge himself on the Friday the 13th films only to have her troubled son don a hockey mask one Halloween night and slash several kids before hanging himself in the woods. The psychologist who’d been treating him for years told me “his identification with Jason seemed pretty harmless.”

A toxic flood of even more ghastly films continues to flow into your local Cineplex, feeding our insatiable desire to terrify ourselves. Heath Ledger’s brilliant if disquieting Joker in the 2008 Batman remake The Dark Knight seemed almost too real and sadly prefigured the gifted actor’s own demons rising to the surface when he shortly died of an accidental drug and alcohol overdose.

I sometimes wonder if we aren’t simply hardwired to value a good harmless scare in a world that appears damaged beyond repair and full of very real dangers, providing new purpose to whatever bogeyman has always lurked beneath the bed. In another age, after all, fairy tales and fables of trolls loitering beneath bridges and witches in the woods were meant to instruct children on the dangers of straying too far beyond the light or down a road of ruin, real or imagined. “Always keep a-hold of Nurse,” goes a famous ditty by a French writer, Hilaire Belloc, “for fear of finding something worse.”

Once upon a time, Madge the beautician and Speedy Alka-Seltzer were icons of commercial television spots. They’ve given way to pharmaceutical companies peddling expensive drugs for maladies whose side effects may kill you, security firms eager to surveil your home against intruders who are just waiting to pounce, identity theft, and internet investment firms that torched your 401-K plan a few years back while reminding you that you haven’t put aside nearly enough for a “happy” retirement.

Perhaps this explains why Americans can’t seem to get enough of Halloween’s faux gore and fright wigs, projected to shell out a record $7 billion or $75 per ghoul among those celebrating the holiday this year — rivaling Christmas retail.

It’s all part of the funhouse ride that thankfully isn’t real, and every town larger than the hips on a snake seems eager to cash in on the phenomenon with its own haunted corn maze or woods of terror peopled by chain saw–wielding psychos and evil clowns, bless their dark little hearts.

In a broader context, all our lives are challenged by Dark Clowns of one kind or another and things that go bump in the night — a sick child, a worrying diagnosis, a lost job. The worry list is endless.

Maybe the way to fight back is to simply make light of such darkness the way John Candy did in the 1989 John Hughes’ classic Uncle Buck. In one of my favorite scenes in the movie, a drunken clown shows up to entertain at a children’s birthday party where Uncle Buck Russell, good-natured loser — played to perfection by the late great Candy — is babysitting his nephew and two nieces. Upon discovering that the clown is drunk from an all-night bachelorette party, Uncle Buck suggests the clown’s behavior is inappropriate for children. Offended, the clown snarls, “In the field of local live home entertainment, I’m a god.” At which Uncle Buck points to the clown’s rodent-eared VW and firmly says, “Get in your mouse and get out of here,” and proceeds to flattens the clown’s big fat rubber nose to drive home the point.

According to Smithsonian, only 2 percent of grown-ups suffer from excessive fear of clowns, technically a phobia called coulrophobia.

But don’t try telling that to the anxious parents of Green Bay, Bakersfield and Greenville anytime soon.

Truthfully, I’m more worried about some of the dark clowns we’ll have to decide between in the voting booth a few days after Halloween. Bottom line, if a dark clown is foolish enough to show up at my door on Halloween night, don’t be surprised if I give him a shot of John Candy to remember me by.  PS

Contact editor Jim Dodson at jim@thepilot.com.

Walkin’ Man

By Jim Dodson

After two years of being sidelined from a severe injury, I recently underwent knee surgery and began walking to work in the mornings again and with our dogs in the evenings.

Frankly I’d forgotten how good it feels — how walking through a busy world at a neighborly pace provides useful time to think and helps one notice important small things right in front of your nose. 

“I tell people that I walk for sanity, not vanity,” says my friend Dennis Quaintance, the Greensboro hotelier who has been a dedicated daily walker in historic Green Hill Cemetery for years. “A walk helps me make sense of the world.”

The health benefits of a daily walk are also amply documented, and I’ve even managed to drop a dozen pounds since I resumed my regular walks three or four weeks ago. Soon I hope to be up to walking a complete golf course again, just in time for my wife and me to slip away to Scotland later this month.

In some ways my involuntary removal from golf prompted a true awakening. I probably took the ability to walk for granted and am both relieved and resolved to be back cruising the world on two feet.

Ditto my new friend and fellow golfer Kevin Reinert.

We met last Father’s Day at a family golf event I host annually for the Pinehurst Resort, a gathering of like-minded souls created around a surprise best-selling book of mine called Final Rounds, a story about taking my father back to England and Scotland, where he learned to play golf during the Second World War.

On the first night of the event I typically welcome 125 or so folks from around the country and give a little talk aimed at setting a lighthearted tone for golf and fellowship.

After this year’s opening dinner, a fit-looking fellow about my age came up to say hello with his wife, Jean.

“This is my first year here,” explained Reinert, offering me his hand.  “I just want to say thank you for saving my life.”

I smiled, waiting for the punch line.

But there wasn’t one.

“No, seriously,” he said, “your book on Ben Hogan inspired me to get up and teach myself to walk again.”

And with that, he told me an absolutely extraordinary story of courage and one man’s resolve to put his shattered world — and legs — back together.

It was a beautiful evening a year ago this October when Kevin Reinert put his golf bag on a trolley at Greensboro’s Starmount Forest Country Club, hoping to get in a quick 18 before meeting Jean at a special fundraiser at the club. “It had been raining for days,” he remembers, “but the weather had suddenly cleared. It was a beautiful evening.”

Reinert, 62, is a retired Air Force colonel who spent almost 30 years working in recruiting and public affairs for the Air Force and Air Force Reserve. He was the administrator responsible for overseeing public affairs for 35 different Reserve units around the United States and the men who helped transform the Reserve’s recruiting profile.

Eleven years ago, Kevin and Jean, who met and married while both were captains on active duty in 1985, relocated from Georgia to Greensboro, where Kevin went to work for The Brooks Group, a leading sales management consulting firm. Before being deployed to Ramstein Air Base in Germany, Jean Reinert taught nursing at UNCG and returned from active duty to become nursing administrator for Cone Health.

“Greensboro was a place we fell for in an instant,” Reinert explained. “It has everything, great restaurants, theaters, wonderful people and a location that was perfect for us — the mountains in one direction, the coast in another. Our kids were grown and doing their thing, and North Carolina really felt like home.”

But all of that changed in an instant as Reinert pushed his golf trolley toward Starmount’s beautiful finishing tee.

“There was a group ahead of me, just out in the fairway, when my phone went off alerting me to incoming messages. I looked down, thinking it might be Jean, as I walked toward the tee. That’s when I heard this ferocious sound. I looked up but I didn’t quite register what I was seeing.”

What he saw was a Kia Rio with smashed side mirrors barreling directly toward him over the course’s cart path.

“I had just enough time to try and jump out of its way. So I jumped, hoping — I don’t know — that maybe I’d land on the hood and roll over the top like you see guys do in the movies. I didn’t get high enough,” he notes with a laugh.

The car struck him at the knees and knocked him over the hood and roof before barreling on. Reinert was tossed 30 feet from the site of impact, landing on the tee. The car was estimated to have been traveling anywhere from 35 to 45 mph, driven by a man who was on a violent robbery and mugging spree, trying to outrun the police. He managed to get one hole farther before the car went out of control and wound up in one of Starmount’s meandering creeks. The driver set off on foot, commandeered another car and was later apprehended.

“My first thought, as I lay there, was a kind of stunned disbelief. I saw that one leg was lying at a 90 degree angle from my body, and when I tried to lift myself up, my arm wouldn’t function.”

Workmen from a nearby residence hurried over, calling 911. The group ahead also rushed back. Reinert asked one of the golfers, a fellow member named Mike Corbett, to find his phone and call his wife. “Jean was over at UNCG and thought I said I’d been hit by a golf cart. She hurried over and actually got there before the ambulance did.”

Owing to heavy rains, the EMS unit couldn’t reach the spot on the course where Reinert lay, but head professional Bill Hall hurried out with a flatbed cart just as a fire unit arrived with a rescue board.

“They got me on the board and Bill drove me back to the parking lot, where the ambulance was waiting. It was a bumpy ride and he kept apologizing. I was probably close to being in shock but joked to him that he’d better not charge me for a cart because I’d walked the course. He thought that was funny. I also told him that if I’d parred the hole, I probably would have shot 87. He couldn’t believe I was conscious and making jokes. But I knew I was in pretty bad shape.”

Both Reinert’s knees were crushed. He’d suffered a shattered femur, a broken tibia, a broken right ankle and a fractured right humerus bone, the upper bone of the arm. “There was a deep cut on my face but, amazingly, no head injuries,” he said. “I was conscious the whole way, already wondering if I would be able to walk again.”

The next morning he underwent six hours of surgery. This was followed by four more surgeries over the ensuing weeks. “The doctors couldn’t give me a clear prognosis or even tell me if I would ever be able to walk or referee or even play golf again.” Besides golf, one of Kevin Reinert’s other pleasures was a budding avocation as a college-level lacrosse official.

After 18 days in the hospital, he was sent home.

He began therapy three days a week that continues to this day.

“The hardest part was just not knowing what was ahead. I sat and tried to watch TV, but the news was so discouraging I decided to turn it off and read books instead.”

An old pal from Long Island who taught him to play golf during their college years together at Adelphi University sent him a box of books, one of which was Ben Hogan: An American Life, my biography of professional golf’s most elusive superstar.

At the height of his success, while returning home from a golf tournament in Arizona, Hogan and his wife, Valerie, were struck head-on by a Greyhound bus that shattered Hogan’s legs and nearly killed the star golfer. His obituary, in fact, went out over the Associated Press wires before it was learned that he was actually hanging on in a rural Texas hospital. Doctors advised Hogan he would likely never walk again, much less play championship golf.

“Frankly I was really down before those books arrived, worried that I might not even be able to walk and play golf,” Reinert admits. “There were real similarities in our stories. I was so moved by his determination to somehow get back to the game — to simply walking — I vowed to myself that I would do the same.”

In 1950, at Merion Golf Club outside Philadelphia, Ben Hogan did indeed come back, capturing the U.S Open on a pair of legs that had little circulation — widely regarded as one of the most heroic comebacks in sports history.

Kevin Reinert made his own big comeback, too. One evening last May, family and 60 or so friends turned out to watch him finish playing Starmount’s 18th hole. “I was blown away so many folk came out to watch,” he said. “Everyone had been so encouraging. I’d made so many new good friends. The support I got from complete strangers was incredible. I simply wouldn’t have made it without them — especially my wife and children. My daughter LeeAnne, who is also a nurse, really pushed me at times.”

Son Phillip, an Air Force flight engineer working at the Boeing factory in Seattle, was also present to play that final hole with his father. He’d flown home the day after the accident on air miles donated by Mike Corbett.

Reinert was wearing a cap given to him by a friend that cleverly read: I Was Run Over By A Car On The Golf Course. What’s Your Excuse?

Another gifted cap read Starmount 18: The Toughest Hole in Golf.

“It was very emotional for us all,” he says. “Made even more amazing by what happened before we teed off.”

On the facing hill, a Scottish bagpiper strolled out in full ceremonial regalia and began playing “Amazing Grace.” Another new friend offered to be Reinert’s caddie.

“Somehow I made bogey on the hole, which allowing for my handicap let me write a par on the card,” he explained to me as we played Pinehurst No. 4 on the first day of the Father’s Day golf fest.

It was his first full round of golf since the accident and he did very well indeed, shooting in the low 90s with both legs wrapped in athletic supports, just like Hogan.

The next day, he even walked mighty Pinehurst No. 2 with a caddie.

“This was one of the greatest weekends of my life,” he told me later. “It feels good to be back.”  PS

Contact editor Jim Dodson at jim@thepilot.com.

Gone Fishin’

By Jim Dodson

As you read this, I’m sitting by a trout stream in an undisclosed location somewhere deep in the North Carolina mountains. If I was wrapped in hickory smoked bacon, Lassie probably couldn’t find me.

But fear not, friends, I’ve left behind a few well-chosen words from my dear old friend Ogden Nash, who always has something timely to say.

To Donald on his way to Cleveland:

Love is a word that is constantly heard,

Hate is a word that’s not.

Love, I’m told, is more precious than gold,

Love, I have read, is hot.

But hate is the verb that to me is superb,

And love is a drug on the mart.

Any kiddie in school can love like a fool,

But hating, my boy, is an art.

   *

The danger of a hole in the porch screen:

God in his wisdom made the fly

And then forgot to tell us why.

   *

An ode to poison ivy:

One bliss for which there is no match,

Is, when you itch,

To up and scratch.

   *

Song of the Interstate:

I think I shall never see

A billboard lovely as a tree.

Indeed, unless the billboards fall

I’ll never see a tree at all.

   *

Wish you weren’t here:

Some hate broccoli, some hate bacon,

Some hate having their picture taken.

How can your family claim to love you

And then demand a picture of you?

     *

To the family at the start of the week:

How pleasant to sit on the beach

On the beach, on the sand, in the sun

With ocean galore within reach,

And nothing at all to be done!

No letters to answer,

No bills to be burned,

No work to be shirked,

No cash to be earned.

It is pleasant to sit on the beach,

With nothing at all to be done.

     *

To the same family at the end of the week:

One would be in less danger

From the wiles of the stranger

If one’s own kin and kith

Were more fun to be with.

     *

And finally, a few original Ogden-inspired lines jotted down by a
pristine stream where the trout are laughing at my hand-made flies:

A gal at the beach paints her toes,

To catch the attention of beaus;

But a guy at the beach will just scratch his feet,

And wonder if anything good’s left to eat.

     *

Gardener’s lament:

To a gardener  in the heat of late summer,

Oh, my, what a seasonal bummer,

With hydrangeas so wilted, you feel almost jilted,

It’s a wonder you bother to rose.

     *

Politics as use-you-all:

I suppose I’m the Average American,

Tho I can’t say  just how the hellican,

Vote for these two, either one of which who

Make me wish I was just a mere skeleton.

     *

A brief escape:

So here I sit by a stream,

Dreaming the American dream,

I might not come home, just pick up and roam,

At least till I find some ice cream.  PS

Contact editor Jim Dodson at jim@thepilot.com.