OUT OF THE BLUE
In a Word . . .
Finding new life in language
By Deborah Salomon
In 1914, George Bernard Shaw captivated London playgoers with Pygmalion, the story of a highfalutin’ professor of linguistics who transforms a grubby Cockney flower girl into a lady.
How?
By scrubbing her down and dressing her up, of course. Even more important, dressing up her diction and her vocabulary.
“Words, words, words!” Eliza complains, this time to music, in My Fair Lady, the musical adaptation that opened on Broadway in 1956, then on film in 1964, sweeping awards for eons.
Words (and accents, to a lesser degree) are a force, a knife that cuts both ways. The right word (le bon mot, a useful French expression) makes a favorable impression, while a pale one falls flat and an incorrect one can be an embarrassment.
Worst are overused words, like “eclectic,” a favorite of speakers trying hard.
Ideally, an unfamiliar word will be defined by its sentence, therefore appreciated, even celebrated.
Example: Every year, The Pilot enters state and national newspaper competitions. Reporters select their best work for consideration. Last year, I didn’t have much, so just for fun, I entered a food column about using my grandmother’s bent and stained aluminum pot lid, the only extant artifact from her kitchen. The narrative mentioned a friend who buried her burned, worn-out pots in the garden. No, I commented, I’m not that anthropomorphic.
The column was ordinary, bordering maudlin. The recognition it received, I’m sure, was for the quirky placement of that perfect word — a favorite, second only to onomatopoeia, whose definition mimics its sound. Think “meow.” Or “rustle.”
I get teased about using “big” words, mostly for variety. Nobody with a full closet wears the same old shirt every day, so why use the same old words?
One culprit is shrinkage. These days, communications must be concise. Get to the point. Speak clearly. Detailed emails — a pain. Is there an app? Just text, uh, txt me.
Enriching one’s vocabulary, however, has a bright side. You don’t need a university degree or online class, just some intelligent reading material where the writer uses words to paint a landscape, or a portrait, in nuanced shades. Find a thesaurus (a dictionary of words with their synonyms), online or on paper, and pick a word a week, something ordinary, like “quotient” for “amount.” “Unearth” for discover. Slip it into conversation. My favorite orphan word is “provenance,” which sounds not at all like its definition, but which I’ve used to investigate a beaded cashmere sweater found at Goodwill.
Don’t get too hoity-toity. Go literal rather than vague and obscure.
Or not. Better, maybe, go with whatever AI composes, since term papers, dissertations, business letters and short stories will soon flow from its omnipotence, sufficient but lacking moxie.
Great word, moxie.
In the end, words are like clothes; they reveal much about personality, mood, life, taste, experience. The right word livens a conversation like the maraschino cherry saves canned fruit cocktail from dessert oblivion. The study thereof is called etymology and can be achieved sans Henry Higgins, whose motive for upgrading Eliza became more, uh, ulterior than academic . . . if you get my drift.
As for Eliza’s “Words, words, words, I’m so sick of words!” rage, that’s what I call moxie.










