Almanac

It was one of those March days when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade. –Charles Dickens, Great Expectations

Worms on the March

March is here and the world begins to soften. Some six feet underground, the earthworms are thawing, and when their first castings reappear in the dormant garden, so, too, will the robin. You’ll hear his mirthful, rhythmic song on an otherwise ordinary morning, pastel light filtering through the kitchen window where the sleeping cat stretches out his toes and, slowly, unfurls.

Cheerily, cheer-up, cheer-up, cheerily, cheer-up.

In other words: Spring has arrived.

All at once you notice flowering crocus, catkins dangling from delicate branches, colorful weeds dotting sepia toned landscapes. You watch the robin trot across the lawn, chest puffed like a popinjay as he pinballs from worm to fat, delicious worm. Soon he will gather twigs, feathers and grasses to build his nest.

Cheerily, cheer-up, cheer-up, cheerily, cheer-up.

As the kettle whistles from the stovetop, the aroma of freshly ground coffee warming the sunny room, a smile animates your face with soft lines.

Spring has arrived, you think.

And the world stirs back to life.

The Goddess Returns

The Full Worm Moon and Daylight Saving Time both happen on Sunday, March 12.  Because maple sap begins to flow in March, Native Americans deemed this month’s full moon the Sap Moon. You won’t want to miss it. And while you may miss that hour of sleep after turning the clocks forward, the longer days will make up for it in no time — especially when the field crickets start sweet-talking you into porch-sitting past supper.

Although the lusty robin may have announced the arrival of spring weeks ago, Monday, March 20, officially marks the vernal equinox. Greek myth tells that Demeter, goddess of harvest and fertility, celebrates the six-month return of her beautiful daughter, Persephone (goddess of the Underworld), by making the earth lush and fruitful once again. 

International Day of Forests and World Poetry Day fall on Tuesday, March 21 — a day after the start of spring. Celebrate with a poem by your favorite naturalist, and if you’re feeling inspired, try reading a few lines to a favorite stand of oak, maple or pine. 

In the spirit of Saint Patrick’s Day (Friday, March 17), why not spread white or red clover seed across bare patches of the lawn? One benefit of this flowering, drought-resistant legume is that it attracts pollinators and other insects that prey on garden pests. Plus, if you find a four-leaf clover — supposedly there’s one for every 10 thousand with three leaves — it’s said to bring you good luck. Give the shamrock to a friend and your fortune will double.

According to National Geographic, one of the “Top 7 Must-See Sky Events for 2017” will occur on March 29. On this Wednesday evening, Mercury, Mars, and a thin crescent moon will form a stunning celestial triangle in the western sky, with Mercury shining at its brightest to the right of the moon and Mars glowing above them.

Each leaf,

each blade of grass

vies for attention.

Even weeds

carry tiny blossoms

to astonish us. –Marianne Poloskey, “Sunday in Spring”

 Bald Facts about Daffodils

The daffodil — also known as jonquil, Narcissus and “Lent Lily” — is the birth flower of March. Synonymous with spring, this cheerful yellow flower is a symbol of rebirth and good fortune. And a little-known fact: Medieval Arabs used daffodil juice as a cure for baldness.  PS

Gold Rush

Deep in the Sandhills, a lingering legacy of dreams

By Bill Fields

On a January morning that would soon warm up so that a sweater was plenty for a hike in the woods, I was off to look for gold — or at least look for a place where men used to look for gold.

My guide, Donnie Reeves, who has studied and explored Montgomery County’s gold heritage for more than three decades, led me in his pickup to a pull-in for the Uwharrie National Forest north of Troy. At the urging of his father he had wanted to seek his fortune in Alaska but never made the long trip. Instead, after becoming fascinated with the story of gold much closer to his native Alamance County, he made a much shorter journey.

“I lived in an old school bus for two years — me, my wife and children,” Reeves says.  “My mother and daddy bought themselves a school bus and they came right behind me. We lived in that bus for two years and prospected when we could. We loved the area and never left.”

As I parked my rental car next to Reeves’ truck a few miles from his current home down the road from an old Methodist Church, I was not only excited about my forthcoming tour of the site of the former Russell Gold Mine, but also thinking about how my roots intersected with North Carolina’s 19th century gold rush, which predated California’s and was the exclusive supplier of domestic gold for the United States Mint from 1804 to 1828.

Many people were drawn to the Carolina slate belt, a series of rocks 25 to 70 miles wide extending from the South Carolina to Virginia borders for the potential riches — or more realistically, a job — in the 1800s. Lockey Arnold Henderson, my great-grandfather, who was born in 1818, left Chatham County on horseback as a young farmer. He headed for the Montgomery County village of Eldorado, the Old North State’s twist on El Dorado, the mythical “Lost City of Gold” in South America. (Locals pronounce a “long a” in the one-word version.) In the Uwharries, great-grandpa found work in the gold mines, settled and had a large family, including my grandfather, B.L. Henderson, who was born March 28, 1861, less than a month before the Civil War began.

“The first gold mining in North Carolina may have been by the Indians in Cherokee County before white settlers arrived,” P. Albert Carpenter III wrote in a 1993 North Carolina Geological Survey. Carpenter also notes reports that explorer Hernando de Soto attempted to mine gold in 1540 near Murphy, N.C. There were accounts of mines operating in Gaston and Mecklenburg counties before the Revolutionary War, and of the U.S. Mint receiving gold from North Carolina as early as 1793, according to Carpenter.

The frequently cited and “first authenticated discovery of gold” in North Carolina — and the U.S. — according to the state report, occurred in 1799 by a boy fishing in a Cabarrus County stream. But three years went by before the child’s father, John Reed, a German immigrant farmer, took the yellow, 17-pound nugget that had been used as a doorstop to a second jeweler for evaluation. Swindled by the jeweler, who paid him only $3.50, Reed eventually figured out the scam and reportedly received approximately $3,000 for Conrad Reed’s find. Reed’s Little Meadow Creek, where the first nugget came from, turned out to hold more gold and the rush had begun.

Capitalizing on the proximity of the valuable mineral, the Charlotte mint opened in 1837, producing $1, $2.50 and $5 gold coins — issuing more than $5 million worth — until it closed at the outset of the Civil War. During the 19th century, gold was discovered in a third of North Carolina’s 100 counties, with 345 mines open at one point according to state records, although other sources place the number at more than 600 during the peak years when gold mining trailed only farming as North Carolina’s biggest industry.

“Hundreds weren’t listed because they were really Mom and Pop operations,” says Reeves. “Farmers would operate them during the wintertime when they didn’t have crops to work.”

Montgomery County and Moore County each had about 20 mines, the former more of a hotbed of activity. Most of the Moore County mines were located north of Highway 24/27 southwest of Robbins. A “Gold Region” post office existed in that area from 1844 to 1866, then was renamed “Carters Mills,” for one of the mines, and operated until 1932. A “Gold Region No. 2” was open from 1877 to 1879.

A 1903 advertisement in the Pinehurst Outlook for “real estate and hunting grounds” offered by R.L. Burns of Carthage noted “fine farm, trucking peach, grape and berry lands . . . Also GOLD property.”

Moore County’s gold caught the eye of inventor Thomas Edison when he visited North Carolina in 1890. “(He) is in Moore county on a prospecting tour,” The Evening Visitor of Raleigh reported on June 25. “He is said to have taken options on large bodies of lands, rich in gold. Mr. Edison will soon form a syndicate of English capitalists and commence work, and the purchaser contemplates turning the water through it for gold-washing purposes.”

A “Gold Mine Pit” is even denoted 1 mile northeast of the Village Green on an 1897 map of Pinehurst and vicinity — likely a “prospect” where a tiny bit of gold was discovered. “They probably found a little bit of gold when they dug down but there wasn’t enough to keep digging,” Reeves says. “There are thousands of those places. More than likely, that’s what happened there.”

There were no such false starts at the Russell Mine. By the middle of the 19th  century it was the biggest gold mine in Montgomery County and the subject for a detailed 1853 report from the Perseverance Mining Company projecting millions in revenue over the course of a 60-year lease on the 40 acres of mineral land.

“More than likely your great-grandfather worked in this mine,” Reeves says as we walk into the national forest and see the first sign of the Russell operation, an old 100-foot shaft with bars installed at its entrance to keep out the curious. “There were homes and shacks where the workers lived. Hundreds of people lived here. There was a general store and a hotel across the street. Forty-some miners worked on a shift, and they’d run 24 hours.”

Some gold extraction was done through placer mining, a process in which miners washed eroded ores of rocks containing gold with pans, rockers and sluices (a grated rectangular box). The other type of deposit was found underground and in open pits dug by the miners in the form of gold veins often embedded in quartz. The largest excavation on the Russell property was “The Big Cut,” a pit 300 feet long, 150 feet wide and 60 feet deep.

The ore was crushed by 190-pound “stamps” that fell the height of a man or more, pounding the gold into a fine substance. The equipment allowed a mine to process 20 to 50 tons of material daily instead of just a few tons.

“You could feel the ground shake a half mile from here because of the many stamp mills,” Reeves says, a jarring observation on such a peaceful winter day. “You could hear it miles away.”

We walk farther into the forest and encounter “The Big Cut,” now cluttered with trees and other vegetation that make it seem smaller than its working dimensions. Miners would earn less than a dollar a day for their dirty, exhausting labor. Some miners went west when gold was found in California in 1849. Many of the mines closed as they became less profitable. Most closed down for the duration of the Civil War with the exception of the Silver Hill Mine in Davidson County, which produced ammunition for the Confederate Army. Some of the bullets were not only lead but included gold and silver because wartime wouldn’t allow for a costly and lengthy separation process.

“Lot of the Yankees who came down here had gold pans strapped to their saddles. They thought they were going to come in here and get rich,” Reeves says.

Following the Civil War there was a revival in North Carolina gold mining that continued, with intermittent lulls, into the first quarter of the 20th century.

“This portion of Montgomery County is a vast gold bed,” a correspondent for The Weekly Observer in Raleigh reported in 1878 while visiting the Swift Island mine. “Many pieces of gold weighing from one to two and three pounds have been found. We saw the hole in the ground from which two pieces were taken that weighed exactly a pound and a quarter each, each piece looking just like a frog.”

Thirty years later, the Asheboro Courier noted: “Bud Morgan found a valuable nugget of gold weighing 20 ounces near Eldorado.”

The Coggins Mine, a mile northeast of Eldorado on the road to New Hope, operated off and on from 1882 to 1934 as one of the busiest in the area. It was the scene of tragedy on Jan. 15, 1914 when three miners, eager to leave work on payday, hopped into the ore bucket for the 350-foot ride to the surface instead of climbing a ladder.

“They wanted to beat everybody else out of the mine,” Reeves says. “When it got to the top, the bucket hung on a ledge and flipped over and they fell to their deaths.”

Lizzie Sanders, wife of one of the three men, Walter Sanders, was in her home at the time. “The whistle at the mine started blowing,” Lizzie recalled decades later in an interview with the Montgomery County Historical Society. “Sometimes, they’d just give it a puff or two. But this time it just kept on and on.” Presently Lizzie found out how serious the accident was, fainting upon hearing the news.

According to the N.C. Geological Survey, total gold production in the state is approximately 1.1 million ounces, worth an estimated $25 million at historical prices. At current prices of $1,230 an ounce, it would be worth $1.24 billion.

“In the 1980s and ’90s I worked for a number of gold mining companies that came in here and investigated, trying to see if any of the old mines were worth mining,” Reeves says. “We did rock samples, but it would be too expensive to mine. We know there is over 20,000 ounces in the ground, but those companies were looking for a million-dollar deposit.”

Scores of people come to Montgomery County annually to pan and sluice for gold. Reeves has spent a lot of his time educating the recreational panners how to do it. While we were talking in his kitchen, Reeves gave me a small water-filled vial containing about a dozen small flakes and a nugget the news of which wouldn’t make the newspaper. This gold came from a nearby creek.

“When it gets to the size of the biggest one in there and you drop it in your gold pan and it you hear it go ‘clunk,’” he says, “it’s a nugget.” My gold is only worth a few dollars but he warns me not the shake the vial. “That gold is heavy enough to knock the bottom out,” he says, providing another example why so many went through so much for so long in pursuit of the element.

After our trek to the former Russell property, I had one other request of Reeves. There was another mine site in the Eldorado area I wanted to see.

We arrive at a 21st century general store and ask the owner if she can contact the owner of an adjacent parcel of land. A call is made and permission is granted. In a few minutes we’re maneuvering through trees and dead leaves about 100 yards east of Highway 109.

“There it is,” Reeves says, when we come to a clearing and a water-filled hole of about 10-by-10 feet. “That’s the Henderson Mine.”

My middle name, possibly some of my relatives.

Nearly a century ago, it had been a working shaft of 40 or 50 feet deep. Now, there was the reflection of the blue sky on the accumulated water. The way the light was hitting the old mine, there was a bit of a golden hue on the surface. I took a few photographs and began walking toward the car.

“Just a hole now,” Reeves said.

This mine was history, maybe even some of my own.  PS

Horse Heaven

Sliding comfortably into its horse country surroundings an interior decor of memorabilia harkens to an equestrian heyday

By Deborah Salomon     Photographs by John Gessner

Heirlooms often grace Southern homes: Grandpa’s desk, Auntie’s slipper chair. “We started from scratch. Our furniture’s from Pottery Barn,” says Chrissie Walsh Doubleday, granddaughter of legendary equine trainer Mickey Walsh, founder of Stoneybrook Steeplechase.

“I put it together,” adds husband Peter Doubleday, internationally known horse show manager/announcer and, by the way, descendant of Abner Doubleday, the apocryphal inventor of baseball.

Yet, beyond a standard sectional sofa and some-assembly-required tables and chairs, Doubleday House at Little Squire, the Doubleday’s Adirondak-style lodge, is a veritable bulletin board chronicling two fascinating lives: photos, posters, paintings, stuffed animals, ribbons, figurines, saddle pads, books, awards and, marching atop the kitchen cabinets, 100 beer bottles with interesting labels.

Peter nods an affirmative: “I drank every one.”

Fifty plants, bathed in light from oversized bare windows, provide a greenhouse effect. One precious photo shows Mickey Walsh riding pony Little Squire, sans saddle or bridle. Dominating another wall is a painting of Walsh (who died in 1993) by local artist Dani Devins; this was returned to the family after being auctioned off at hunt balls.

What some brand as clutter, Chrissie calls history.

Chrissie belongs to the land surrounding their home. She grew up in a log house within sight, later lived in a nearby cabin. Her father’s veterinary office was yards away. She, her four siblings and 29 cousins knew every rock, rail and puddle in the compound. Beyond the equestrian life, Chrissie taught chemistry and coached track and field for 28 years at Pinecrest High School.

Peter, from snowy Syracuse, New York, lived down the road when he met Chrissie at a Christmas party. “I knew of the family, of course. They were famous . . .” he says. In 2005, soon after they married, her parents sold them five of their 17 acres for a house. Subsequently, they purchased another five and added a small barn.

Neither had any architectural experience, which didn’t stop Peter from scrawling a plan on a napkin at O’Donnell’s Pub. They liked the work of Southern Pines architectural/interior designer Denis McCullough who translated the napkin into a home unlike neighboring showplaces.

Little Squire defies labels.

Chrissie: “I wanted (the interior) to be a semi-circle and the outside to blend with the trees.” This meant angled interior walls which give the rooms irregular but interesting shapes.

Peter: “I saw a picture of a house with cedar siding, hunter green and blood red trim, like houses in Lake Placid.” The clapboards and shingles also reminded him of “cottages” in the exclusive Hamptons, where he announces events.

Multiple roof pitches and a cupola topped by the weathervane from Stoneybrook complete the rustic appearance. The Irish flag honors immigrants Mickey and Kitty Walsh who arrived in America in the 1920s — and in Southern Pines in 1939.

Chrissie was adamant about layout. “I wanted everything in one room.” That living room-dining room-kitchen-bar with wood-burning fireplace stretches nearly 50 feet facing outward to the terrace, paddock and barn. A long refectory table fills up fast at Thanksgiving and Christmas, since Chrissie’s sister and niece also maintain houses on the property. From the open kitchen in a far corner, the cook stays part of the action. Black granite countertops are covered not with cooking paraphernalia but photos of “good people,” Chrissie says. “We wanted pictures and themes everywhere to reflect horses and racing.” Peter’s artifacts contribute the broadcasting dimension, which include the 1996 Olympic Games in Atlanta. “Peter’s a collector. He just kept putting stuff up and I said  . . . whatever.”

guest suite with separate entrance at one end of this panoramic great room offers privacy. Adjacent to it, a combination “entertainment” room and office. Peter loves music; a wall of CDs covers every genre but classical. “Vinyl’s coming back,” he says, pointing to long-play albums. The opposite wall of shelves displays Chrissie’s books and in the middle, a throne-sized red leather chair and ottoman. On hot afternoons, after barn chores Chrissie retreats here to read. The master suite with small terrace and second wood-burning fireplace — Chrissie’s lifelong dream — occupies the opposite wing.

Their outdoor environments include a small screened porch on the front and a larger one between the house and the patio which, by spring, is filled with flowers and often with guests. The Doubledays have no trouble fitting 100 friends and colleagues inside and out. “Our guests feel at home as soon as they open the door,” Peter says. They especially enjoy the DIY bar with tall vinyl-topped bar stools and well-stocked shelves.

A small pool built long before the house cools hot and dusty riders.

Nothing formal, everything practical and intensely personal. Floors throughout are low maintenance tile brightened with area rugs. Wide, handsomely framed doorways ease the flow from wing to wing. A coffered ceiling buffers noise. No palette unites the décor, although every hue found in nature appears here.

Chrissie got her wish: from a distance, the house melts into the woods.

A piece of Chrissie’s heart beats faster in the small barn, shelter to Guac, a retired racer with a speckled coat called flea-bitten gray. Surprisingly, “I’ve ridden all my life but this is the first horse I’ve ever owned. He’s taught me a lot in the saddle and on the ground,” she says. “They test you. I’m supposed to be the boss but we’re still working on that.” Chrissie feeds, grooms, rides and cares for him — and Burrito, his adorable donkey companion — herself. She’s in the barn by 7 a.m., takes a break around noon, out again at 4 p.m. and to “check on things” before bed.

These are happy hours. “I spent a lot of time with my parents before they died,” she recalls. “Afterwards, things sort of fell apart, family-wise. I needed something to fill the void.”

The Doubledays’ luxury is not in antiques or professional-grade kitchen appliances but in living a continuity. “It’s just the two of us; we didn’t need a monster house,” says Peter, although as arranged, the 2700 square feet appear larger. Its location allows the couple to bike into downtown for First Fridays or a pub evening. But mostly they like to stay put. Peter, who travels many months a year, answers to homebody.

“I need a crowbar to get Chrissie out,” he says.

She responds: “I’m just very proud to still own this family property,” which honors her parents and grandparents. “They worked hard to create the farm, and Stoneybrook. It’s the only home either of us has ever built . . .”

And, Peter concludes, “We plan to stay here forever.”  PS

Hawk

Driving to work, I spotted

the red-tailed hawk perched on the stop sign

at the corner of Courtland & Adams.

Surveying the suburban yards

for his next meal, he looked in my direction,

then turned away, disinterested. 

I lowered my eyes to check the time

and when I looked up again he was gone,

leaving me alone in the warm comfort of my car,

delighted by what I’d seen,

desperate for his return.

—Steve Cushman

What’s in a Name?

That which we call a daffodil by any other name still ushers in spring

By Ross Howell Jr.

Despite the cold, when March came to the mountains the boy I once was felt there might again be spring. After a snowy season feeding cattle with their rumps — and mine — bowed against bitter winds, I walked along split-rail fences, melting drifts limning muddy pastures.

The earth was warming with spring, and on sunny afternoons groundhogs nosed from their dens, groggy with winter sleep. I hunted them with my uncle’s pump-action .22.

One afternoon I came upon a sight that filled me with wonder. A neat row of daffodils nodded in the sun at the edge of a wood. Their yellow blossoms were all that remained of what had once been a homestead. I watched them as they danced with the breeze. Their faces were hopeful. I imagined a mother planting them for her family, a thin border next to a log house, long since vanished.

Back then, I didn’t call them “daffodils.” Among my kin, they were known as “jonquils.” In fact, I don’t remember hearing the word daffodil until my senior year of high school, in Mrs. Humphries’s English class, when we read the William Wordsworth poem, “I Wandered Lonely as a Cloud.”

I raised my hand, wanting desperately to impress
Mrs. Humphries. She was a recent Radford College graduate, and quite attractive.

“Yes, Ross?”

“Those flowers sound like jonquils to me,” I said.

“In England, they’re more commonly referred to as daffodils. From the Latin asphodilus, The English ‘daffodil’ is probably adapted from the Dutch, ‘da asphodel,’”
Mrs. Humphries said.

I was crestfallen.

“Why everybody knows that,” my nemesis,
Verna Belcher, hissed from the desk behind me.

A quick poll of my Greensboro neighbors — my “scientific” question was, “When you were growing up, what did you call the yellow flower that bloomed first in spring?”— yielded mostly “jonquil,” though “daffodil” was an occasional response, and even “buttercup.”

It’s complicated.

“In some parts of the country any yellow daffodil is called a jonquil, usually incorrectly,” writes the American Daffodil Society, employing what I expect is their euphemism for the rural South. “As a rule, but not always, jonquil species and hybrids are characterized by several yellow flowers, a strong scent and rounded foliage.”

Now that plant sounds like what I think of as narcissus. So when I say “jonquil,” I should be saying “narcissus”? It’s not that easy.

“The term narcissus (Narcissus sp.) refers to a genus of bulbs that includes hundreds of species and literally tens of thousands of cultivars!” writes gardener Julie Day. “The Narcissus genus includes daffodils, jonquils and paperwhites, among many others, so when in doubt, this is the term to use.”

Just to confuse me further, Day adds this statement: “However, when someone says ‘narcissus,’ they’re usually referring to the miniature white holiday blooms of Narcissus tazetta papyraceous, known as paperwhites.”

Now I have paperwhites in my garden, too. But I call them “paperwhites.” So am I to understand that the flowers I called “jonquils” as a boy I should’ve called “daffodils,” and some of the bloomers I have in my garden now, the ones with the small trumpets, rounded leaves and scent, the ones I’d thought were narcissus, are in fact jonquils?

Not necessarily. Julie Day goes on to say that “daffodil” is “the official common name” for any plant in the genus Narcissus.

“So, if the plant is considered a Narcissus, it is also considered a daffodil,” Day writes. “However, most people use the term ‘daffodil’ when referring to the large, trumpet-shaped flowers of the Narcissus pseudonarcissus. These are those big, showy, familiar bulbs that bloom in spring that we all know and love.”

Got that?

But what about Mrs. Humphries? And the asphodels? Turns out they’re a different genus altogether. But some of their blossoms sure look a lot like jonquils. I mean, narcissus. Oh, you know what I mean.

And what about buttercups?

Things sure were simpler when I was a boy in the mountains hunting groundhogs.  PS

Ross Howell Jr. was rewarded for dividing and replanting bulbs this fall with a display of daffodils that brightened even the most confused and gloomy of March days.

The Set-Up Man

Pinehurst’s Bob Harlow, golf’s promotional genius

By Bill Case   

Photographs from the Tufts Archives

When Bob Harlow learned that golf great Walter Hagen was looking to hire a full-time manager in 1921, the 32-year-old newspaperman quit his job as sports editor of the Associated Press’s Radio Division, and leaped at the opportunity to represent “The Haig.” No other professional golfer had ever hired a personal agent, but then, no other professional golfer had ever been Walter Hagen.

Not yet 30 himself, Hagen had already won the United States Open Championship twice, earning a mere $475 for his second national title. The real money, however, was in exhibitions, and Hagen was both fond of making real money and bad at keeping it once he got it. Enter Bob Harlow, glad-hander of warmth and unflinching good humor, a well-educated world-class multi-tasker who, for roughly a decade — and more, depending on your tolerance for conflicts of interest — would resolutely arrange and manage the myriad details of Hagen’s intense schedule, sometimes as many as five exhibitions a week spread across the map like paint splatters. It was a business relationship requiring nothing more formal than a Champagne toast, a money match made in heaven. Harlow would collect it and Hagen would spend it.

If Hagen knew he needed organizational triage, Harlow seemed particularly well-suited to apply the tourniquet. Herbert Warren Wind, the venerable golf writer, described Harlow as “the only man who could undress, take a shower, dress, call his wife, and write a postcard in something less than nine minutes.” A native of Massachusetts and the son of a Congregational Church minister, Harlow was a graduate of Phillips Exeter Academy and the University of Pennsylvania. Having himself worked for three different East Coast dailies, including the New York Tribune, he knew how to schmooze the local sportswriters whose fawning coverage was required if Hagen’s exhibitions were to produce a handsome gate.

Harlow’s theatrical flair matched Hagen’s own and helped him transform the star golfer into Sir Walter, a Roaring 20s commercial brand. In a 1928 exhibition match between Hagen and Archie Compston, Harlow hired a Scotland Yard detective so massive he looked like the Matterhorn with a brush mustache to stand as Hagen’s bodyguard. Furthermore, and much to the delight of the tabloid cartoonists, Harlow prevailed on the giant of a man to wear a Sherlock Holmes deerstalker hat. Harlow was widely believed to have been the ghostwriter of some of The Haig’s best lines, burnishing the image — apocryphal in degrees — of Hagen the champion carouser, partying the night away before appearing for matches the following day in a chauffeured limousine still clothed in a rumpled tux when, in truth, he was more likely to have watered the potted plants with most of his drinks.

Hagen describes their touring retinue in The Walter Hagen Story. “We had a regular caravan — three or four Cadillacs or Lincolns, my chauffeur heading the group in one, Harlow in the second, my caddie with my clothes and golf equipment in the third. I must have played, at one time or another, every golf course in this country. Guarantees didn’t mean much to me. I’d play for the gate and pray that I’d acquired the type of personality and game to draw the crowds. After the matches we’d stuff the money in a suitcase and gun the motors to the next date.” It was Harlow who was in charge of the cash, the crowd, the persona and the getaway.

Adding even more showmanship — as if that commodity was ever lacking — to many of the exhibitions was the presence of Australia’s Joe Kirkwood, the first of the great trick shot artists, who met Hagen at the 1921 North and South Open in Pinehurst. A 13-time winner of professional events, Kirkwood typically paired with Hagen in four-ball games against local hotshots. Then Kirkwood would display his fabulous array of trick shots with Sir Walter providing humorous commentary. It was a great gig. They roamed the country picking up as much as $1,000 a match at blue blood country clubs but settling for far lesser sums at nine-hole dog-patch layouts and, in the process, inspiring a generation of players to take up the game.

And it didn’t hurt the Hagen-Harlow fortunes that Hagen could pass for a movie star. Deeply tanned, not a single follicle of his immaculate black hair out of place, the always self-assured Hagen packed in the crowds. It was estimated he netted $45,000 annually from exhibitions. And he continued to play brilliantly in the big moments. During their association Hagen captured four Open Championships in Great Britain and five PGA Championships (four in a row from 1924 through 1927). The undisputed king of match play prevailed in 29 consecutive matches during that remarkable string. His unflappability coupled with recurring dramatic recoveries from seemingly impossible situations tended to dishearten opponents.

The only challenger to Hagen’s standing as the world’s finest golfer was the nonpareil amateur Bobby Jones. Both players spent their winters in Florida playing a lot of golf and selling a little real estate at two Gulf Coast country club developments — Jones at Whitfield Estates Country Club (now Sara Bay CC), Hagen at Pasadena Golf Club (now Pasadena Yacht & CC). “Matches of the Century” were a dime a dozen in the era of exhibitions, but if anything deserved the moniker, it would be Hagen v. Jones. In 1925, Harlow brokered the deal right down to the coin flip — a 72 hole home-and-home match to settle bragging rights and promote their respective clubs. It quickly turned into a rout with Hagen handing Jones the most lopsided defeat of his career, 12 holes up with 11 to play.

As if handling Hagen’s business wasn’t job enough, Harlow served as the guiding hand for the first National Golf Show held at New York City’s 71st Regiment Armory in May 1924. He arranged for promotional appearances by Hagen, Kirkwood, Gene Sarazen, Glenna Collett Vare and Alexa Stirling. Sixty-five exhibitors displayed equipment and clothing under one roof. A “Le Petit” (miniature golf) course was available for play, and the 8,000 patrons were wowed by a life-sized two-story clubhouse specially constructed for the exposition. Harlow also arranged for an exhibit of trophies from all of the major championships and, in a classic piece of Harlow marketing, emphasized their importance by posting an armed guard at the display.

In all matters, Harlow was shamelessly quick to leverage his association with Hagen. In February 1926, he wrote to Pinehurst titan Leonard Tufts that he and Hagen would be visiting again since Hagen planned to enter the North and South Open. After dispensing that welcome news, Harlow immediately segued into his sales pitch, writing, “ I should like very much to devote my publicity affairs and promotion work to Pinehurst from that time until after the North and South (Amateur) Championship.” He pointed out that the women’s field the previous year “was not too strong” and that he knew all the top Florida female amateurs and was sure he could get them to attend the 1927 event. Tufts replied that he hadn’t been all that impressed with the number of people Harlow had been able to produce in the past, yet still he consented to house him at the Carolina for “ten days to two weeks and $100 for expenses.”

Harlow and Tufts did the same tango the following February. With the 1927 Southern Open in Atlanta the week prior to the North and South Open, Harlow tried to sell the proposition that if Tufts retained him to represent the resort in Atlanta, “Pinehurst should obtain practically the entire Atlanta field . . . (as) it will be easy for me to persuade them to stop in Pinehurst on their way north.” Harlow naturally followed with his trump card. “I will have Walter Hagen in Pinehurst for the North and South Open as usual.”

Donald Ross opined that, while he was not opposed to retaining Harlow, the pros playing in Atlanta would likely appear in Pinehurst regardless. Club management conjured up a more difficult task for the promoter. “Why not ask him why he cannot bring Bobby Jones here for the North and South?” Harlow agreed to make the ask, but cautioned Jones would likely decline because of law school commitments at Emory University while unabashedly noting that if Jones was ever going to appear for anyone, “he would for Walter Hagen and myself as our association with him has been very friendly.” Tufts provided Harlow the same lodging and expenses afforded him in 1926.

In 1930, the PGA of America hired Harlow as its first official tournament bureau manager. The post involved the day-to-day organization of tournaments and public relations. In the throes of the Great Depression, Harlow faced the tall order of simply keeping what passed for the “tour” alive. Country clubs were closing. Sponsors reduced purses. Other events simply vanished from the calendar. Moreover, the PGA never had been able to schedule a full year’s slate of tournaments. Players still needed club pro affiliations to make ends meet. Harlow’s goal was to build a tour that would alter that paradigm. “It is entirely possible,” he claimed, “that in the future there will be sufficient tournaments and prize money — and with a schedule so changed that it will keep the better players profitably engaged for practically 12 months a year.”

There were plenty of blank spaces in the schedule and Harlow set about filling them. In 1931, the owner of the Miami Biltmore Hotel faced tax problems, and Harlow convinced him his predicament could be eased by holding a tournament on the hotel’s Donald Ross-designed course and donating the proceeds to charity. The Warm Springs Spa, where Franklin Roosevelt had undergone treatment for polio, would be the ideal beneficiary. The resulting Miami-Biltmore Open was a rousing triumph while also offering the tour’s richest purse, $10,000. The fundraising effort led to establishment of the March of Dimes.

Harlow stepped up the fledgling tour’s promotional efforts. He authored the first Tournament Players Record Book, which provided local newspapermen “a ready source of material to promote a tournament and write preview stories.” He continued writing his golf column and began publishing his own periodical, Golf News. Harlow sought to make “permanent news about golf as prominent as major league baseball.” He cajoled Hagen into speaking at fundraising dinners and exhorted local media to go the extra mile to promote tournaments because, like actors in a theater, the pros would not perform their best “playing to empty fairways.”

Prior to Harlow, players arranged their own starting times, teeing up when they wanted with whom they wanted. Hagen was a habitual offender, often appearing hours after he was expected. Harlow instituted mandatory tee times, prevailing on the local papers to publish them 24 hours in advance so fans would know when their favorites would be playing. Aware that there were players who failed to act with proper decorum, he issued a code of conduct, continually reminding pros that tournament golf was a form of show business, and they needed to act accordingly.

Compensation for the head of the PGA’s tournament bureau didn’t look much like the million dollar contracts and private jets enjoyed by today’s PGA Tour pooh-bahs. Moonlighting was more necessity than option. Harlow remained cozy with Hagen and managed the affairs and schedules of other players like Horton Smith, Ed Dudley and Paul Runyan. In the spring of 1932, after convincing American Fork & Hoe Company to underwrite a tour stop in New Orleans, Harlow extended his stay an extra day or two. By the time he left the Big Easy, he’d been sacked as tour manager almost certainly because of perceived conflicts of interest representing star players.

The players, led by Hagen, were outraged. They threatened to break away and form their own tour. In October of 1933, the PGA returned Harlow to his job, but by December of 1936 he was fired again. Despite his undeniable success keeping the tour alive in uncertain times, the higher-ups still seethed that he did not devote full time to the affairs of the tournament bureau.

A preternaturally optimistic person, Harlow, now 48, looked for an environment where he and wife, Lillian, a former New York opera singer, could flourish. Given his previous association with Leonard and Richard Tufts, Pinehurst seemed a logical choice. Maybe the Tuftses could be of assistance. They were. Harlow was hired as head of publicity for the resort in 1937 and held that position until World War II.

Not long after settling in Pinehurst, Harlow purchased The Pinehurst Outlook, a newspaper hitherto published weekly during the resort’s high season. Begun in 1897, the Outlook had focused on the social comings and goings of guests and members of the town’s swish cottage colony. Its offices were located in The Harvard Building (now the Old Sport & Gallery). Harlow became editor and publisher, and Lillian served as business manager.

In the November 12, 1939 edition of the Outlook, Harlow announced a new publishing schedule — every weekday during the season except Mondays, plus all Sundays. He intended to ramp up golf coverage. “The Editor . . . has long had a desire to assemble the . . . golf news of the world under one journalistic roof, and on this page, each Sunday, will endeavor to present at least a portion of the more interesting golf news which is not widely circulated by the daily press,” Harlow wrote. “It seems that a Pinehurst newspaper is a proper place for such material.”

While some national news would be reported in the Outlook, its general policy would be to avoid the “terrific controversies of the day.” As Harlow put it, “Pinehurst is a resort where visitors wish to forget for a time the problems of this disturbed world.” Still, as the winds of war blew in ’39, Harlow used golf to illustrate frightening changes taking hold in Germany. In one writing, he worriedly speculated what might be occurring at Berlin’s Wannsee Golf Club, ruefully noting that fully half the membership, including its president, Hans Zanuck, was Jewish.

Harlow attracted remarkable talent to his hometown newspaper. Charles Price, a premier golf writer of his generation, cut his teeth covering local events for the Outlook. Nationally known golf writer Herb Graffis contributed a regular column. And Harlow, a gifted essayist himself, composed numerous noteworthy pieces. He was proudest of crafting a series of articles commemorating the Pinehurst resort’s 50th anniversary in 1945. Laboring until 3 a.m. for three successive nights and authoring 24 pages of copy four days in a row, his work still ranks as an indispensable account of Pinehurst’s first half-century.

Believing the scope of the paper’s golf coverage would befit a national publication, Harlow hatched a weekly magazine ambitiously titled Golf World on June 18, 1947. While other golf periodicals existed, Harlow’s new publication raised the bar for scholarly writing about the game. Working in tandem with associate editor Tom O’Neil and with Lillian in charge of circulation and advertising, the magazine garnered 5,000 subscribers the first year of operation. Harlow re-emerged as a player on the national golf stage.

The offices of the Outlook and Golf World moved to the Pinehurst warehouse building, the white structure still located across the road from the 18th tee of PCC course No. 3. The burden of managing two publications proved too great, even for the energetic Harlow. On August 3, 1950, he announced the sale of The Pinehurst Outlook to the Wilson family. (It would cease regular publication in 1961.) With the Harlows able to concentrate their efforts on Golf World, circulation continued to grow, rising to 9,000 in its first five years. The same year he sold the Outlook, Harlow hired 14-year-old Tony McKenzie to do odd jobs, eventually including lithography and typesetting. McKenzie remembers many of golf’s great names breezing in to pay their respects to the publisher in his second floor office. Harlow’s ready supply of Wild Turkey and Seagram’s Seven Crown provided refreshment for the likes of Jimmy Demaret, Lloyd Mangrum, and Hagen himself. Tony remembers Sam Snead coming by too, although the Slammer was known to be abstemious.

On November 15, 1954, Harlow died suddenly at age 65, a victim of coronary thrombosis. By then his little magazine had subscribers in “every state of our country, every province in Canada and sixty foreign countries,” wrote Herb Wind. “Golf World was successful because it had the chatty, everybody-here-knows-everybody-else flavor of a home town newspaper. It had that flavor because Bob Harlow was a hopelessly friendly and companionable man.” The Outlook reported that his untimely death, “cast a pall of gloom over the entire village.” His friend and benefactor Richard Tufts remarked, “The world of golf has lost its best friend . . . I always came away from any contact with him stimulated mentally by his opinions and refreshed by the honesty of his purpose.” Harlow’s successor at the PGA Tournament Bureau, Fred Corcoran, wrote: “He opened the door to riches for American professional golfers. Yet he never forgot that golf is a game.”

A mourning Lillian Harlow announced that Golf World would continue and “. . . will be better than ever. It must be so as a monument to Bob.” And the magazine did continue under the editorship of Dick Taylor without missing a beat. Lillian moved the offices from the warehouse building to Southern Pines, and continued her ownership until 1972. After two interim owners, the New York Times Company bought Golf World in 1989 and relocated the magazine to Connecticut, joining another NYT property, Golf Digest. In 2001, it sold both magazines to Condé Nast. Golf World’s paper publication was terminated following the 2014 Open Championship. At the time, it was the game’s longest running publication. The title survives on Golf Digest’s website.

The list of the magazine’s contributors is long and venerable. It served as a platform for the likes of Ben Wright, Bob Drum, Al Barkow, Lorne Rubenstein, Bob Verdi, Dave Anderson, John Feinstein, Curt Sampson, Geoff Shackelford, Steve Eubanks, Nick Seitz, Moore County resident Jaime Diaz and PineStraw’s Jim Moriarty and Bill Fields, to name just a few.

In 1988, Harlow was inducted into the World Golf Hall of Fame. The only others enshrined for writing about and/or publicizing the game are Corcoran, Wind, Graffis and, most recently, Dan Jenkins. He joined Donald Ross and Richard Tufts as the only Pinehurst residents in the Hall.

Of the notable golf people who have called Pinehurst home, Bob Harlow’s name is rarely mentioned. Among visitors to the modern golf Hall of Fame near St. Augustine, he would rank right at the top of the “Who’s that?” list. But, a trailblazer’s footprints can have a light touch.  PS

Pinehurst resident Bill Case is PineStraw’s history man. He can be reached at Bill.Case@thompsonhine.com.

Almanac

February, a form

Pale-vestured, wildly fair,—

One of the North Wind’s daughters,

With icicles in her hair.

– Edgar Fawcett, “The Masque of Months” (1878)

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 The Snow Moon

Perhaps no poem paints a more fitting portrait of this time of year than Thomas Hardy’s classic verse about a “blast-beruffled” bird whose joyful song pierces the silence of a dark and desolate eve like an arrow through autumn’s last apple.

Read: February is here. Behold the first glorious explosion of golden daffodils.

Although “Darkling Thrush” is set at the cusp of a new year (and century), its haunting image of “tangled bine-stems” slicing the sky “like strings of broken lyres” invokes, at least for this nature lover, the bleakest yet most beautiful days of winter. Since the heaviest snows tend to fall this month, the full moon on Friday, Feb. 10, has long been called the full snow moon. The Cherokee called it the bone moon because, well, food was so scarce that supper was often marrow soup.

Speaking of soup, now’s time for root vegetable stews and chowders thick with heavy cream and gold potatoes. Make enough and you can eat from it all week — a quick and hearty fix after a cold evening spent pruning the rose bush and deadheading pansies. Through the kitchen window, a brown thrasher gently swings on the suet feeder before disappearing with twilight. It’s cold, but daylight is stretching out a little further every day. The soup simmers on the stovetop. Spring will be here soon.

Say it with Flowers

Violet and primrose are the birth flowers of February. The old folk poem calls the flower blue, but violets bloom mauve, yellow and white, too. Gift a lover a violet on Valentine’s Day and they’ll read: I’ll always be true. As for the primrose, a pale yellow perennial that thrives in cool woodland glades, the message crackles like an ardent fire:
I can’t live without you.

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Love looks not with the eyes, but with the mind

And therefore is winged Cupid painted blind.

Nor hath love’s mind of any judgment taste;

Wings and no eyes figure unheedy haste.

And therefore is love said to be a child

Because in choice he is so oft beguiled.

– William Shakespeare, A Midsummer Night’s Dream

 

A Grimm Fellow

Wilhelm Grimm, younger of the Brothers Grimm, was born Feb. 24, 1786, in Hessen, Germany. Perhaps that’s why National Tell a Fairy Tale Day falls just two days later, on Sunday, Feb. 26. In addition to publishing a hefty collection of folk tales — “Hänsel and Gretel,” “Der Froschkönig” (“The Frog Prince”), “Dornröschen” (Sleeping Beauty), “Schneewittchen” (“Snow White”), and on and on — the brothers started writing a definitive German dictionary in 1838, but never did get around to finishing it. Add a little extra magic to this month of love by spinning a tale about fairies or mermaids, or, in the spirit of this bleak wintry season, perhaps something a bit darker. Like the one where the evil stepsisters cut off their toes to make the glass slipper fit.

Oscar Comes to Town

Why should we let Los Angeles have all the fun when there’s plenty of glitz and glamour to spread around in the Sandhills?

Photographs by Tim Sayer and John Gessner

Dreamgirls

Jennifer Hudson won the Academy Award for Best Supporting Actress in 2007 in her acting debut in Dreamgirls, adapted from the 1981 Broadway musical of the same name. Her character, Effie White, is left behind when Curtis, the man she loves and the group’s manager, replaces her as the lead singer of The Dreams, the Motown group based on The Supremes, that rises to stardom without her. Barely getting by in inner city Detroit with her daughter, Magic, Effie revives her career when she reconciles with her brother, C.C., who writes and produces her comeback hit, “One Night Only.” Our Effie, Courtney Pearson, is an Appalachian State University alum in a graduate program in the University of North Carolina at Pembroke, who teaches sixth grade English at West Pine Middle School. And what better stage for Effie to belt out her comeback single than at Casino Guitars in Southern Pines, the place where musical dreams really can begin?

Photograph by Tim Sayer

Gown from Brides Etc.

Makeup by Gabriela Villaseñor/Retro Salon

Mary Poppins

In every job that must be done, there is an element of fun, so it shouldn’t come as any surprise to see Mary Poppins seated at a window table in Lady Bedford’s Tea Parlour and Gift Shoppe in Pinehurst. After all, a spoonful of sugar helps the medicine go down. With her portrayal of the title character in the 1964 Disney movie, Julie Andrews won an Academy Award for Best Actress in her feature film debut. Our Mary Poppins, Christy Tucker, didn’t float down from the sky with the use of her umbrella, nor does she carry an enchanted carpetbag. Christy does, however, have three children of her own to nanny, 4-year-old Wyatt and his 2-year-old twin brothers, Wesley and Whitt. As perfect a setting as Lady Bedford’s may be for a spot of tea, don’t expect any penguin waiters or a tea party on the ceiling with Uncle Albert because, well, that would just be supercalifragilisticexpialidocious.

Photograph by John Gessner

Costuming by Marcie Haberstroh/Showboats Neverland

Makeup by Megan Weitzel/Retro Salon

Hair by Meredith Jacob/Retro Salon

The Blind Side

In 2010 the Oscar for Best Actress went to Sandra Bullock for her appearance in the film The Blind Side, playing the role of Leigh Anne Tuohy, who opens her home to a teenage football prodigy, Michael Oher. Running away from one foster home after another, Oher, who now plays left tackle — the blind side — for the Carolina Panthers, is left homeless by the death of his father and the drug addiction of his mother. Slowly but surely he becomes a member of the Tuohy family and is eventually adopted by them. Our Leigh Anne is Kelly Kilgore, the mother of two daughters, Ava and Audry, and the owner of RIOT (Run in Our Tribe), a running and specialty athletic store on Pennsylvania Avenue, who pulls off the performance with the help of the Pinecrest Patriots. Jehari Whitfield (78) turns in a solid portrayal of Oher, aided by his teammates Will Robson (76), Langdon McFay (44), J.D. Robinson (81) and Davis Byrd (80).

Photograph by John Gessner

Hair and makeup by Ariana Cooper/Beautopia

Ray

Brother Ray. The Genius. Jamie Foxx won the Academy Award for Best Actor for his gritty portrayal of Ray Charles in the 2004 movie Ray. Blind from the age of 7, raised on a sharecropping farm in Florida, Ray Charles passed away shortly before the film’s release. Charles learned to read music using Braille at the Florida School for the Deaf and Blind, but it was his creative combination of blues, rhythm and blues and gospel that produced an entire new genre. His fame came at personal cost, including a struggle with drug addiction. Charles’ long list of hits included “I Got a Woman,” “What’d I Say” and “Georgia on my Mind.” Who better to sit in at the piano for Charles than Paul Murphy? The pastor of the Trinity AME Zion church in Southern Pines started playing at The Carolina Hotel, where this picture was taken, in the early 1980s.

Photograph by John Gessner

Costuming by Marcie Haberstroh/Showboats Neverland

Annie Hall

Giving neuroses a good name, comedian Alvy Singer, played by the movie’s writer/director Woody Allen, falls in love with Annie Hall, portrayed by Diane Keaton, who won the Oscar for Best Actress in the 1977 eponymous movie. Together they stand in line for the movie The Sorrow and the Pity, where Marshall McLuhan makes an imaginary appearance to explain to another theatergoer why he’s gotten it all wrong. Alvy and Annie fall in love over a meal of boiled lobster, but the relationship falls apart when they move in together. They reconcile, if only temporarily, when he rushes to Annie’s rescue after she calls him in a needy panic — though only to kill a spider. We found our Annie, Annie Arroyo, a graduate of James Madison University who works for First Flight Digital, the media arm of The Pilot, hanging out not in Manhattan but outside The Given Outpost in Pinehurst.

Photograph by Tim Sayer

Costuming by Marcie Haberstroh/Showboats Neverland

The King’s Speech

When King Edward VIII abdicates his throne in order to marry the American socialite Wallis Simpson, his brother, Albert, aka “Bertie”, succeeds him as King George VI. Colin Firth won the Best Actor Oscar for his portrayal of the royal who conquered his awkward stammer in the 2010 film The King’s Speech. Cautioned by his father, George V, about the importance of communication in the age of radio, Albert seeks the aid of an Australian, Lionel Logue, whose sole training came from working with shell-shocked soldiers after World War I. With Logue’s help, Bertie takes the mic following Britain’s declaration of war with Nazi Germany and delivers his radio address almost flawlessly. While Logue points out some less-than-perfect w’s, Albert replies, “Well, I had to throw in a few so they’d know it was me.” Southern Pines Assistant Town Manager Chris Kennedy, a 10th generation North Carolinian, rises to the occasion as our king at the Weymouth Center for the Arts and Humanities.

Photograph by Tim Sayer

Costuming by Marcie Haberstroh/Showboats Neverland

Roman Holiday

A crown princess sets off from the embassy of her undisclosed country to explore Rome da sola. She finds love, and Audrey Hepburn found an Oscar for Best Actress in the part of Ann in the classic 1953 romantic comedy. An expatriate American newspaper reporter, Joe, finds, but does not recognize, the princess (who calls herself Anya Smith) and invites her — in an abundance of caution — to spend the night in his apartment. Her regal comportment amuses Joe, played by Gregory Peck. In the morning, having slept through a scheduled interview with Princess Ann, Joe pretends to his editor that he was actually there until his boss tells him the interview was canceled. Joe sees her picture, realizes who is in his apartment and senses a scoop. Hijinks ensue. Our Ann is Ella Burkes, a stylist at Bamboo, a Boutique Salon in Southern Pines. She doesn’t have a crown but she does have a wiener dog, Norman.

Photograph by Tim Sayer

Hair and makeup by Ella Burkes/Bamboo Salon

Costuming by Marcie Haberstroh/Showboats Neverland

Grievance

The winter wind is searching for a love

To love her like one loves the fall,

spring, summer, seasons better thought of

Than her silent biting chill, her pall.

Forgotten, crystal blooms on bare-branched trees,

Crisping air that skates on glassy lakes

Wakes the spirit, opens sleepy lungs to breathe

While snowflakes choose their own design to make.

Now she hisses sleet through blizzard teeth,

Love me for who I am and what I bring.

There is no resurrection without death,

Without a sleep, no dreams, no notes to sing.

Hear my lonely recitative,

Say you love me. Say it to me, please.

— Sarah Edwards

Old House, New Look

Metamorphosis of a village showplace

By Deborah Salomon     Photographs by John Gessner

Hundred-year-old houses like Red Gables harbor mysteries, secrets. Who (or what) was Ailsa, the name on the gate shingle — a girl or the islet off Scotland? What is known about the people who autographed boards — one dated 1918 — uncovered during renovation, now framed in the kitchen? And why — in an age when Pinehurst homes had a crawl space, at best — does this house own a brick-walled basement sturdy enough to withstand a tornado?

“I kept driving by . . . I always wanted to live in the house,” says Holly Davis.

Now, she does. After 18 months of respectful renovation and new construction, the house within sight of the Carolina Hotel is once again a showplace, a comfortable family home and gallery for Southern folk art.

By the early 20th century word had spread through the Northeast that Pinehurst was a desirable winter destination for high society — and so much closer than Palm Beach. Some snow birds stayed at hotels or rented one of the founder’s, James Walker Tufts, cottages, while the deepest pockets built their own. In 1909 Mrs. Emma Sinclair of Boston commissioned architect W.W. Dinsmore, also of Boston, to build what the Kennedys might call a compound: two structures collectively named Red Gables after the clay-tiled roofs, so she could winter alongside her daughters. In 1918 the property was sold to Henry B. Swoope, a Pennsylvania coal baron.

Red Gables, along with its sister cottage and log cabin, changed hands several times, endured multiple updates, but stood empty and sad when a friend told Holly that, finally, the property was for sale.

“I was glad the house needed work,” Holly recalls. “That scared off people. I could see the potential.”

Holly grew up in Illinois, moved to Durham; her husband, Carty Davis, comes from New Orleans. They lived in Atlanta before deciding a smaller city would be better for the children. The area offered schools, culture, interesting people. In 2002 they built a residence in Forest Creek. Holly, who studied graphic design at N.C. State, enjoys building and renovating. “I can (visualize) the space when I see plans, which is helpful.” Eventually, like many transplants, they gravitated to the village. “I much prefer a historic house with so much more character,” Holly says.

This she vowed to preserve by keeping the footprint virtually intact and cherishing details, such as crystal teardrop sconces and chandeliers, oversized windows, a glass-front built-in bookcase. Instead of a spa tub, she refinished a claw-foot, original to the house. Aesthetically reluctant to convert to gas, four fireplaces trimmed in exquisite moldings still burn wood.

Vinyl trim was replaced and a fresh layer of stucco applied to exterior walls which, with the red tile roof, completed the Mission style that caused a ripple in the early 1900s. Alas, the tile roof is gone, but fat Tuscan columns — another uncommon architectural detail — remain on the porch.

Some interior space was rearranged, but not the twin entrances placed on opposite sides of the living room with its coffered ceiling — once dark wood, now painted white. Holly deemed the dining room unnecessary. Instead, she used it for a family room-den and placed a small, elegant round dining table with curved upholstered chairs at one end of the living room. Most mealtimes the family gathers around an 8 1/2-foot kitchen table made to order using lumber salvaged from Liggett & Myers Tobacco Co. warehouses.

Main floor space was also adjusted for a master suite, leaving the three upstairs bedrooms for guests.

Mrs. Emma Sinclair, the Swoopes and their nine children would gasp at the kitchen, which had been redone,’70s fashion, when the Davises purchased the house. Holly wanted everything ripped out, including the ceiling and room above it, making way for a vaulted space clad in painted wideboards, with recessed lighting. This established a scale suiting tall cabinets, a marble island and countertops, and a range hood befitting a castle, all in soothing gray and white. No tabletop appliances or gadgets break the expanse.

“I’m not a clutterer,” Holly says.

But she is a collector. “I love Southern primitive folk art,” which she encountered near the Davises’ beach retreat on Fripp Island, South Carolina. “The raw materials, the emotions — they paint about life,” often life filled with poverty and pain in the post-Reconstruction South. Her favorites include Sam Doyle, a black artist from St. Helena Island, South Carolina, who painted on scrap metal in the African-influenced Gullah tradition. Figures are flat, frontal; coloring is primary, bold. Also represented is Clementine Hunter from Louisiana’s Natchitoches Parish. Hunter, a domestic servant at Melrose Plantation who could neither read nor write, painted on any objects she could find, as well as canvas. She died in 1988, at 101, leaving a thousand visual memories of her gritty existence.

Holly successfully juxtaposed a scene by Alabama farmhand Jimmy Lee Suddeth, who used a mud-based paint tinted with berries, against a marble-topped antique chest from Carty’s Louisiana homestead. Other pieces were brought back from a family trip to Africa.

But, in truth, no period or style defines the result. Holly’s aversion to clutter extends throughout the house, which is furnished with a spare hand, allowing each piece an impact. She trolls junk stores for dressers, headboards and other pieces, paints and “distresses” them herself to resemble well-worn heirlooms. Neutrals prevail except for bursts of color — bright navy on a bedroom carpet and spread, an even brighter orange chair illuminating another bedroom, one small olive green wall in the monochromatic kitchen, sunflowers and orchids in the living room — pure panache.

Across the stone terrace stands a massive new garage with an upstairs office-apartment and balcony, designed and stucco-clad to blend with the house. When landscaping the triple lot Holly was able to retain decades-old plantings, which shield them from traffic. “But we like hearing music (from events on the green) and the bagpiper,” who serenades the hotel every evening. When the Davis children are home they walk to the Roast Office for coffee; Carty Davis and yellow Lab Charlotte are regulars in the village.

Houses, like crops, fashions and seasons, move in cycles — at least the lucky ones. Red Gables, aka Ailsa House, long a wallflower, blooms a debutante once again, this time with all-new systems and wine shelves in her cellar fortress.

Credit Holly’s patience: “I just hope what we’ve done to this home will make it last another hundred years.”  PS