Poem

The Arborist

The arborist: “This tree is nearly eighty

years old, and bound to fail. Put in when folks

developed Rosemont Street — all up and down

the yards the same — the maples, oaks, and firs.

No wonder she lost this limb.” I almost said

I’m seventy-one myself, with lanky limbs

that take me loping ’round the block three times

A week. I hoped he’d say, “Pas possible!”

(His name’s duBois!); instead he said, “See?

You know exactly what I mean.” Mark laughed.

“So what’s the fastest growing tree?” he asked

duBois. “The sycamore. It grows six feet a year,

and when it’s done, it’s sixty feet, providing shade

like this poor maple.” Poor maple. Such girth

I wouldn’t call it poor, but Mark had feared

the insides rotted out; duBois concurred.

We paid him then to take old maple down

and plant the slender sycamore. We’ll have

to move the chairs elsewhere in the yard,

and get a large umbrella for our shade.

Or else we’ll sit all summer under the

porch roof, coaxing the tree to grow. And I’ll

be eighty-one when sycamore is done,

or else bequeath it to new owners, just

as when I think of our beloved Hannah —

who’s twelve and growing, too — bequeathed by us

to other tenders of emerging things,

those who never knew us — we, the arborists,

who sit where someone sat in nineteen

thirty-eight and watched a little maple grow.

— Paul Lamar

Poem

Camellia      

for Brenda Porterfield, on her 75th birthday

Each year

you surprise me

like the first taste

of joy

after long sorrow

has tamped down

even longing

into gray wood,

and I have

forgotten all the

colors but brown,

and all the sounds

but that of

dry leaves underfoot.

I look out

a frosted windowpane

and you appear again,

bold pink, standing out

like a girl overdressed

for a party,

perfection unfurled

and symmetric as

a baker’s cake-flower,

your center a sunrise.

You speak of more

that waits

in stillness, in want

of light and time

to wake it

into beaty,

buds of potential

turned to glory —

abundance that

defies freezing nights,

resilient, determined

to bloom.

— Laura Lomax

Poem

When I Love Spring

when I love spring

geese take off on frothy runways for the north

tuxedoed mallards tow mates through v-shaped water

dotted clouds of dragonflies flurry over lily pads

turtles untuck sleeping noses, rise to feast

icy grey-ghost branches show soft nubs

quiver like an infant’s hands wake in morning sun

— Sarah Edwards

Poem

About Magic

A quantum taste of joy

hidden in a top hat

The wisdom of love

up your sleeve

Tell me your story as

you rise wingless

above the stage

Let me make you believe

in the vast unbelievable

Wave your wand and

marry our kindness

Clapping we shout “encore!”

— Ry Southard

December

December orphans the dove

permits growing pains flight

whispers this is why you fought —

in a wrap of bright cerements

weans solstice with a mutter and a kiss

bestows sparkle to ruined promises.

December lends diamonds

spins a symphony in crackling trees

waltzes us to the whistle of sleet —

seizes the ripple in my weary stream

warns a feral life knows no end

argues reasons to abridge the verdict.

December chaperons chill

points out the joy in an ashen sky

bends all light across the gaunt branch —

she liquors my lips with her tongue

allows secrets loosed on a smile

re-pours the bitter vintage till it is gone.

December is a confession

knocking down the tell-tale curtain

promising weakness will set you free —

directs congealed communions

palming our dead leaves as wafers

proffers intinction in a frosty spirit

and glazes gravestones so I can sleep.

— Sam Barbee

The Neighbor’s Pears

The last of the pears dot the neighbor’s

yard, their taut green skins giving way

to brownish pulp. Yellow leaves flung

from wind-tossed branches scud across

our lawns like golden clouds — the sun’s

slim rays a decoration, a bit of gilding

with no real warmth. It seems the time

has come when all of life seeks its place

before the soil hardens beneath a skein

of frost and pale blue skies turn gray.

Even pear trees go dormant, dreaming

of budburst and blossoms — little green

bells swinging again, from every limb.

— Terri Kirby Erickson

Poem

DON’T WALK FAST

Rock … fallen leaves … soil.

At first just listen … after a mile

or so sound will distill in your body.

Find rhythm … keep that pace …

then slowly refocus mind & ear

so as to attend the measured silence

between boot swing & boot fall.

There’s the music … call it that.

It was not here before you came

won’t be here when you’re gone.

The spaces pulse … connecting links

making sound complete & movement whole.

Do not avoid the steeper slopes.

Against grade the intervals will

widen & deepen so that you

will hear the lovely up-

curving arc of trail.

  —George Ellison

 

Painting by Elizabeth Ellison

The Weymouth Center for the Arts & Humanities presents The Wilderness Poet, George Ellison, and his wife, Elizabeth Ellison, renowned visual artist and illustrator of her husband’s works. A reading and art exhibit are in the Great Room at Weymouth on Sunday, Sept. 10, at 4 p.m., $10 for members and $15 for non-members. A reception will follow.

North Carolina State Toast

Here’s to the land of the long leaf pine,

The summer land where the sun doth shine,

Where the weak grow strong and the strong grow great,

Here’s to “Down Home,” the Old North State!

Here’s to the land of the cotton bloom white,

Where the scuppernong perfumes the breeze at night,

Where the soft southern moss and jessamine mate,

’Neath the murmuring pines of the Old North State!

Here’s to the land where the galax grows,

Where the rhododendron’s rosette glows,

Where soars Mount Mitchell’s summit great,

In the “Land of the Sky,” in the Old North State!

Here’s to the land where maidens are fair,

Where friends are true and cold hearts rare,

The near land, the dear land, whatever fate,

The blessed land, the best land, the Old North State!

Photograph by Tim Sayer of the oldest longleaf pine tree

Reclamation Project

Sunken shapes of claw, paw, toe

betray those who trespass on the beach

when tide is out.

Shells, their chambered lives

destroyed by roiling waves,

spread detritus like chad.

Stones that shine with wet color,

bronze, gold, orange, onyx,

dull to grey as sea breezes

dry them out.

Evening tide awakens, reaches,

erases evidence of interlopers,

leaves the shore like a bedsheet,

taut, smooth, tucked in.

— Sarah Edwards

Cave Men

A full wine rack is

Saturday mornings,

The first day of vacation,

A just-waxed car.

It is a promise of future good dinners,

of future celebrations,

of a future.

A full wine rack murmurs:

Don’t worry.

There’s plenty.

You’re safe.

— Joseph Mills

from Angels, Thieves, and Winemakers